A slide film that does not produce crazy color shifts when cross-processed!
I had this roll of film cross processed by Lomography’s LomoLab developing services, and the results are cool. They are not too crazy, but have a more grayish bluish tone to them. These pictures where taken late at night in a low light situation with my Holga 120 CFN, and they still have great contrast.
Today's The Daily Hex is one of those unexpected colors that might pop out when you cross process those precious slide films. See our handpicked Deep Fir photos and be inspired to take photos even at night!
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
The strong contrast and whacked out colors from cross processing slide films always give a great contrast to dramatic silhouette snapshots. Congratulations to sushi_9009 for having our Photo of the Day!
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!