A slide film that does not produce crazy color shifts when cross-processed!
I had this roll of film cross processed by Lomography’s LomoLab developing services, and the results are cool. They are not too crazy, but have a more grayish bluish tone to them. These pictures where taken late at night in a low light situation with my Holga 120 CFN, and they still have great contrast.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
James Clerk Maxwell has become the poster child of color photography firsts. A lesser-known fact: After his famous slide presentation, another man introduced a process that the science and photography communities found astoundingly accurate. Here's a capsule timeline.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Enjoy wild color shifts that easily turn the mundane into something extraordinary with the new LomoChrome Turquoise XR 100-400! Take a peek at these community-taken snapshots and find out how you can earn piggies and have your very own photographs be featured on the Online Shop!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.