Up at the George Eastman House is an unconventional photography exhibit; one that showcases test shots and staged photographs instead of the usual fine art photography fare.
Featured are photographs taken by the American 20th century painter and illustrator Norman Rockwell for the purpose of using these photos as compositional tools in his work.
Originally eschewing the photograph as a lazy painter’s shortcut, he soon found that reference photographs were a better alternative to fatigued models sitting in the uncomfortable positions that Rockwell’s painterly eye would require. Norman Rockwell: Behind the Camera exhibits various photographs taken by the artist, juxtaposed against the finished painting, illustrating the artist’s meticulous process.
Sometimes paintings are directly lifted from a photographed scene; sometimes a combination of poses strewn across different photographs are combined to form the final image. One gets a sense of how involved Rockwell was in the creation of the image, seeing multiple poses, props and settings on different reference photographs used for a single work.
Organized by the Norman Rockwell Museum in Massachusetts, in collaboration with guest curator Ron Schick, Norman Rockwell: Behind the Camera is a wealth of information on one of the more important American artists of the 20th century. The exhibit will run until the 18th of September at the George Eastman House International Museum of Photography and Film.
Kodak cameras started a photography revolution that progresses to this day. See its evolution and 125 years of existence in this exhibit at the George Eastman House International Museum of Photography and Film.
An ongoing show at the George Eastman House in New York puts the spotlight on a collection of photographs that "explore uses of gardens and how humans cultivate the landscapes that surround them," from the time the medium was invented up to the present.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Susanna Brown is the Curator of Photographs at the Victoria and Albert Museum, London. She curated the exhibition "Horst: Photographer of Style" as well as recent V&A shows "Selling Dreams: One Hundred Years of Fashion Photography" and "Queen Elizabeth II by Cecil Beaton." We lent her an LC-A+ to test out her own photography skills and asked her a few questions about this fascinating job.
In more ways than one, Lomography is an art form as much as it is an effective tool to communicate. This is proven in the politically-driven exhibition “Selfies from Oranienplatz," of which the opening event will be taking place on the 16th of October as part of the European Month of Photography in Berlin. Read further to learn more about the project and event.
Photography is not only an act of documentation or communication, it is also a way of seeing the world. The camera opens our eyes and lets us see what lies behind the obvious, and we start looking at things as potential subjects of a photograph. Every leak of light unveils secrets that talented photographers turn into a piece of art. Li Hui is one of those gifted artists. We talked to her about her work and her sensitive photographs that picture a wonderful vulnerability.
Kevin Meredith, more popularly known as LomoKev, is a photographer based in Brighton, England who gained notoriety for his use of the Lomo LC-A and his lomographic style of creating images. Aside from a plethora of personal and commercial projects, he has also conducted workshops on photography, written and published photography-related books, and participated in a few exhibits. With his evident passion for photography, it comes as no surprise that he was selected to test a prototype of the New Petzval 58 Bokeh Control Art Lens.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, little information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
Canadian-born Ian Taylor is a full-time photographer specializing in kids and development work. It all started when his five siblings started having children at the same time he was into photography. This passion then spiraled into something amazing, and now Ian works primarily with kids, shooting them when they are in their purest form. Based in Asia, Ian has agreed to share this amazing series of photos he shot with his Petzval Art Lens in Cambodia and Thailand. He also shared with us some of his insights and views on photography.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
In the early part of the 19th century, lantern shows were the equivalent of movies. Photographs were hand-printed or transferred on glass plates, which were then projected on to a wall or cloth screen.