A beautiful aspect of the Lubitel is that the shutter and advance are not coupled. Sure, you can shoot a frame, looks at the little numbers in the back, and advance to the exact start of the next one. But try shooting a roll blind.
Playing the Field
Take a photo and advance a little bit – whatever you think is proper – and shoot again. Take a far subject and then – immediately after – a close subject. Your ultimate goal should be an enormous, unpredictable, multi-exposed, and overlapping serial image. Toss in a flash here or there, and change the orientation of the camera. Use slide film with normal slide processing for extra-easy scanning after development.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.
A wedding photographer based in New Jersey, Michelle Lange is all about weddings and engagements. After her own wedding and spending years on wedding research, she decided to take the plunge, pursue her passion and create a dream career. In this interview, she talks about her passion and her work, and showcases a series of photographs she shot with a Petzval Lens.
When a truly fascinating photograph hits you, it’s powerful enough to transport you to the story that is being told in that image. Such is what happens when one sees Suji Park's work for the first time. It’s as if you can actually hear and feel the details of each snapshot — the warmth of a late afternoon sun, the complex silence of nature or a dry and nostalgic solitude.