Slide film is great for scanning and treating your folks to charming projection shows, but any Lomographer worth his/her chops will tell you that cross-processing (developing slide film in negative chemicals) is the freaking bees knees.
It takes that lovely and sublime slide image that might-have-been and blows it out into a hyper-saturated, insanely contrasted, and wildly color-shifted little jewel. The results are wonderfully unpredictable, and vary from film type to film type and from lab to lab. You quite literally never really know what you’re gonna get. For really understated and grainy images, you can also do the reverse (process negative film in slide chemicals).
Séverin Boonne considers photography as his most intimate way of expression. Aside from revealing things about himself, creating images with his trusty cameras helps calm his nerves and keeps him relaxed. In this interview, our newcomer of the week from France talks more about his humble beginnings, passion for shooting film, and more.
Have a look at these bright and beautiful medium format photographs from the community shot with the Lomography Color Negative 400 for 120 cameras. While you're at it, find out how you can earn piggies and have your own CN 400 (120) snaps be featured on the Online Shop!
Louis-Jacques-Mandé Daguerre's invention made possible photography that is literally and figuratively one of a kind. For every shot fired, the photographer can only do one print. And though the marred by stains, a daguerreotype has the long-lived charm of a museum relic.
Chris Goodacre has been shooting on film since the late 1970s. At the same time, he also took interest in building an artillery of analog weapons. In this interview, he shares an extensive list of his collection and the fantastic story that come with each of his cameras.