The Métropolitain also called the "Métro" is the system of trains inside Paris. It is, I think one of the best way to move in Paris because like in all big cities the traffic of the cars is mad. There is 16 lines and around 300 stations.
The Métropolitain also called the “Métro” is the system of trains inside Paris. It is, I think one of the best way to move in Paris because like in all big cities the traffic of the cars is mad. There is 16 lines and around 300 stations.
All people take the Métro: rich, poor, young, old, tourist. I like this mix of people and you always see some really funny people. But there is also unlike side when there is too many people you can become mad due the behavior of some people. And it’s for that I like to take picture in the Métro when there is nobody here to have more information: http://en.wikipedia.org/wiki/Paris_Métro
and the official website of the Métro: ==http://www.ratp.info/touristes/index.php?langue=en==
I live in the North of Italy, near the border with Switzerland. I love to cycle in Swiss territory, because their car traffic is lower than in Italy and because there are nice bicycle paths free of cars and motorbikes. In this article I'll show you a nice three-day bicycle path that I cycled last summer. Take a look after the jump!
William Eggleston is one of the most important contemporary master and pioneer of color photography. In this article I write a tribute to his particular democratic way of looking around. For him "Nothing was more important or less important", and everything is worthy of being photographed. Again, he is fond of the dear old film; he said that "I don't think much about the digital world, because I am in the analog world!". Read more after the jump!
<i>Editor's Note: The past several years saw <b><a href="http://www.lomography.com/homes/maliha">Maliha</a></b> frequently moving from one place to another, a sort of nomad who likes the thrill of starting anew and finding her place in every city she stays at. In the last decade she has spent in the USA, Maliha has stayed at six different cities in five different states. Currently, Maliha is based in Denver, Colorado, and "Transient Living," a new series in the Lomography magazine, documents her experiences and the ways that she has come to call this city her home.</i>
Fancy building a camera museum or, well, simply have hundreds of cameras at your disposal? You might want to take a look at this newest camera lot to show up on eBay, which includes 600 cameras by various makers and carries a "Buy It Now" price tag of $34,900.00.
The LomoChrome Purple is easily one of the coolest films to come out in a very long time. The amazing colors and vibe it gives each shot and its wide range of exposures make it a must-have and must-shoot film. Here are some cool ways to help you get the most out of your LCP.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
In the third and final installment of his Russian love story, Herr Willie recalls some of the most memorable experiences from his trips to post-Soviet Russia, including traveling aboard the Trans-Siberian Railway and shooting with the La Sardina for Lomography on assignment, and waxes nostalgic about all the amazing people he had met.
We are very excited to introduce the latest addition to the Lomo’Instant family, the Lomo’Instant Boston Edition. The Boston only made it to first base when it appeared in our Kickstarter campaign but by the raucous applause we got from you guys, it’s in it for the homerun!
What comes to mind when you think of Boston? Maybe it's the Red Sox, or maybe it's Baked Beans? With our newest competition to celebrate the release of the Lomo'Instant Boston Edition, we want to know what Boston means to you. Even if you've never been to Boston — no problem! We want to see your best shots that represent Boston to you!
Back in the 1990s, Gilbert Blecken was a big music fan and wrote for his own small music fanzine. He would interview bands in between sound checks and take photographs of them. He was never a professional photographer or worked for a company; he simply did it for his fanzine. Twenty years on, Gilbert’s photographs have matured into an amazing documentation of some of the biggest music icons of that era. We caught up with Gilbert to ask him about these photographs and the fascinating story behind them.