Two films in one! Firstly the bad news: This is not a black and white film for purists who love the deep black and the clean white. But there is also good news: it can be developed in C41-process! Therefore the development of this film is as affordable as the one of colour films!
You can have it developed either as “normal” black and white film or as sepia toned film. I put “normal” in quotation marks because there is still a tiny colour cast which can reach from a greenish to a slight sepia tone.
Although you won’t get strong and clear black and white contrasts with the Ilford XP2, these tones can be appealing for several motives too.
In both cases it often depends on the drugstore or photolab how deep the colour cast or the sepia tone will turn out.
As this film has a speed of 400 ISO, you can use it for bad weather conditions or indoor shoots (all my sample photos were taken on days with a cloudy sky). And in my opinion you shouldn’t overuse it on sunny days when you want to have them developed with sepia tone. Then sometimes the sepia tone can turn out with too much orange in it (still depends how this film is being handled and processed) which looks a bit artificial and unnatural to me.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Stop bath is a type of chemical used in the darkroom for processing black and white film, aptly named as such because it halts the development of the images. In this case, stop bath is also part of the title that Korean analogue street photographer <b><a href="http://instagram.com/sooeatsyourstreetforbreakfast">Soomin Yim</a></b> has given her body of work, "Stop Bath the City," to represent the forgotten faces of people in the city amid rapid modernization, captured and immortalized on black and white film.
In the week preceding the elections for the European Parliament, several political rallies were held in Como. As with all other public events in my city I documented one of these rallies, this time using a Russian film camera Zorki 6 loaded with a black and white film roll. Take a look!
With your overwhelming support, we have run out of Belair Instant Backs! We'll restock it in April, but don't worry because the Belair Instant Camera is readily available to satisfy your instant cravings!
This is a tribute to a great Austrian sports photographer, Lothar Rübelt. In an era with no high speed films available, he was able to immortalize wonderful moments in sports - from diving to gymnastics and football. In creating this tribute, I took a series of photos of an amateur football match using expired black and white film developed using an uncommon chemical. Take a look after the jump!
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
This article is a tribute to the photojournalist Bernard Cahier, the greatest Formula 1 photographer known as the "Cartier-Bresson of Motor Racing" for his great ability in capturing the right moment. Here, I'll feature a series of photos that I took at the Monza Grand Prix with a timeless black and white film! Take a look after the jump!
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.