The Kodak Elite Chrome ED is my absolute favorite film. It has incredible contrasts and delicious colors.
With its 200 ISO, the Kodak Elite Chrome ED is superbly all-rounded, capable and adaptive to any situation. It has a very coarse grain and super bright colors. I thought it would be the same as the Kodak Elitechrome EB, but I thought wrongly.
The colors are predominantly blue and green. That neon yellow looks really toxic. The film is not only for daytime but also nighttime and is not afraid of bold colors.
The motifs are often scary after developed. A strange atmosphere reigns with the garish colors. The lips of people and the skin looks incredibly strange, especially.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
With the holidays just around the corner, now is the time to stockpile all your favorite films! That's we're giving you yet another opportunity to do so with our super Advent deal on all our films today. Whether you're looking to get wild colors and huge contrast with our X-Pro film, or want to create slick cinematic classics with Lomography Cine400 Tungsten, we've got just the film for you!
You want your subject be the center of attention? Petzval lens are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Have you ever dreamed of creating magical scenes with just the wave of your hand? Wish no longer — Pixelstick makes that dream a reality! Packed to the brim with 200 full color, high fidelity LEDs, the 1.8 meter long Pixelstick is your ticket to incredible, mind-boggling light paintings. It's now available for the first time in the Online Shop!
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
The journey of the Lomo'Instant is a tale of unpacking, dating, ghost spotting, and so much more. From the day it appeared on Kickstarter to the time it landed on the doorsteps and into the hands of its would-be owners, its story has been a colorful and eventful one, retold and captured on social media.