The Kodak Elite Chrome ED is my absolute favorite film. It has incredible contrasts and delicious colors.
With its 200 ISO, the Kodak Elite Chrome ED is superbly all-rounded, capable and adaptive to any situation. It has a very coarse grain and super bright colors. I thought it would be the same as the Kodak Elitechrome EB, but I thought wrongly.
The colors are predominantly blue and green. That neon yellow looks really toxic. The film is not only for daytime but also nighttime and is not afraid of bold colors.
The motifs are often scary after developed. A strange atmosphere reigns with the garish colors. The lips of people and the skin looks incredibly strange, especially.
The entire Kodak Elitechrome series belong to my favorite films. From the EB, to the EBX, ED, and EL; they all have great features once you know how to use them well. The EL with its 400 ISO hardly gets any attention, which is also because of the fact that it is more uncommon. But that is about to change with this. Here's some e-love.
Let it be known: this pairing has to do with love at first click, at the first roll of film, at the first prints. My newest toy, the Yashica Electro 35 GSN, combined with my favorite black and white film, Kodak BW400 CN: this is definitely going to be a long-lasting love.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
With the holidays just around the corner, now is the time to stockpile all your favorite films! That's we're giving you yet another opportunity to do so with our super Advent deal on all our films today. Whether you're looking to get wild colors and huge contrast with our X-Pro film, or want to create slick cinematic classics with Lomography Cine400 Tungsten, we've got just the film for you!
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.