Blue and green images produced by a film that is not manufactured anymore.
The one and only roll of Agfa RS 100 Chrome Plus I have ever used was sold to me by a photographer. In addition there was a lot of other great films I bought. It paid off Sunday morning to crawl out of bed inhumanely early. The film was the first medium format film I’ve cross-processed…I had been waiting for the opportunity for a long time.
When I had to go to Paris to visit relatives, I jumped at the opportunity.
I thought for a long time about which camera should I plug it in and then decided to go for the Lubitel 2. It turned out to be a good decision. Without light or a trained eye, I always use the Lubitel exposure table with symbols of the Lubitel 166 +.
The colors are gaudy and typical for cross-processed contrasts. In this film, the blue and green light are especially so. Due to the age of the film, about 10 years old, the results were very grainy because they were expired.
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
If you've ever seen any movie, you're most likely already familiar with that logo of a roaring lion that usually precedes the films produced by this Hollywood giant. Check out these fascinating behind-the-scenes images, starring Leo the Lion!
Sometime between 6,000 and 10,000 years ago, a boy in northern Afghanistan was born with a gene mutation that hindered his eyes from producing melanin and thus from turning brown. He had blue eyes. If you see someone with blue eyes today, he is a descendant of this unlucky fellow. I am one of those weird folks and apart from feeling like a mutant and being Angelina Jolie’s secret sister, I am sensitive to light like an ISO 6,400 film.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Opening today, "The Way We Live" features a selection of images by photographer and LomoAmigo Kate Bellm and site-specific work by artist Edgar Lopez Arrelano. Please note that one of the images in this post is NSFW.
The New Lomography Petzval Lens is, without a doubt, a striking innovation that has impressed analogue and digital shooters alike. The Petzval works seamlessly with both platforms, producing exceptional and oftentimes dreamy, bokeh-rich images. There are, however, photographers who prefer to shoot analogue and are oblivious to the lure of digital imagery. Here are a few photographers who have chosen film as their go-to medium, and and the Petzval as their ally.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.