If you want an affordable B&W film that can be processed at most photo labs, Ilford XP2 Super 400 could be the one you need. It's a B&W film that can be developed using the C41 color processing.
For B&W film lovers, it is increasingly difficult to find photo labs that can develop traditional silver halide B&W films. And for those few that did, the prices can be exorbitant. Coupled with the fact that pure B&W film prices had been rising due to sky rocketing commodity prices, getting one’s fix of shooting B&W films can become prohibitively high.
Ilford XP2 Super 400 is an affordable B&W film that can be processed at most photo labs, as it can be processed in C41 type processing chemicals alongside color negative films. The film yields high contrast negatives and has an extremely wide exposure latitude, making it suitable for use in varied lighting conditions. Another reason I like to use XP2 Super is that it is sharp, fast, and produces relatively fine grain.
XP2 Super’s fast speed (ASA 400) means that it can be used indoors and in low lighting conditions. However, I mainly use the film outdoors for street photography.
It has been said that one can push or pull it 2-3 stops either way but I have yet to try it. Also, as it is essentially a C41 color film, one can scan the developed negatives using “color neg” mode and get surprised by the different color tones. Color tone varies depending on the processing and exposure.
Try out one roll and I bet you will not regret it!
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
This is a tutorial for the adventurous Lomographers, for those brave enough to do their own B&W and C-41 work but lacking the confidence to move onto E6. Fear no more! I am an enthusiastic home developer, just like the rest of you, I am not a chemical lab wizard! So if I can pull this off, so can the rest of you. Take a deep breath, relax, and read on. By the end of this article I hope you'll have mustered the courage to give it a go yourselves!
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Do you love Lomography's Lomochrome Purple XR 100-400 film? Me too! So let's see what it does when we shoot it through an assortment of color filters. I tried to document everything well enough that others could replicate and experiment on their own. I hope you find it useful.
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
If you're like me who has a film lab at home, you'll know the feeling of having too much film rolls lying around the house. Instead of throwing them out, you can use them to decorate the way I fill our transparent coffee table with them!