Traces of the once working mexican railroad, slowly erased by nature. On one side the tracks end abruptly, but on the other the keep going on and on. And not only railroad tracks go on, but lots of strange things like advertisements that warn you about never coming train; rusty metal, rusty clothes and even forgotten rusty christmas trees resting forever on the millions of stones that surround the tracks. It's like being on a forgotten island in the middle of a crowded city.
Traces of the once working mexican railroad, slowly erased by nature. On one side the tracks end abruptly, but on the other the keep going on and on. And not only railroad tracks go on, but lots of strange things like advertisements that warn you about never coming train; rusty metal, rusty clothes and even forgotten rusty christmas trees resting forever on the millions of stones that surround the tracks. It’s like being on a forgotten island in the middle of a crowded city.
Like a cluster of cherry blossoms, the temples in Kyoto can stop visitors in their tracks. These people assume the pose of a statue, a camera dangling from their neck and hands. On a first visit especially, the impulse to photograph every angle is constant. The Kinkaku-ji Temple and the torii-lined Fushimi Inari-Taisha are always packed; one would think the tourists would hurry along. But really, many are busy taking snatches of Kyoto with them.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
Common sense tells us that when the weather gets bitterly cold, it's best to stay inside and drink a cup of something warm. But when you have a primo lens like the Petzval, it's hard not to go on an adventure! Equipped with nerves of steel and a Petzval lens, these Lomographers around the globe bundled up and braved the conditions to capture the top 10 wintry (not so) hot spots.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Although its existence has always been known among locals, it was only in 1913 when the rest of the world was introduced to the Inca site of Machu Picchu through an expedition headed by Yale University and professor Hiram Bingham.
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.