I often take photos and think "It's going to be another boring roll of film!" Then I found that it is never too late to save those boring shots. By taking the film out and shooting a second layer with redscale, the results can be exciting and mesmerizing.
The scenery was so dull and the weather was crappy when I set out to take photos with my Vivitar Ultra Wide & Slim loaded with Fuji Superia ISO 400. I knew to photos were going to be crappy like the weather.
Then, I remember the DIY redscale which uses regular ISO400 film and converted to ISO 25-100 redscale film. So when I was done shooting, I took the film out and made a Redscale one out of it, and then put it back in my Vivitar.
Note: Vivitar UW&S has a fixed aperture of f11 and a fixed shutter speed of 1/125s. Please be sure to shoot something really really bright such as the sun. Otherwise, your redscale wouldn’t turn out at all.
I had my photos developed by a local lab and then I scanned them myself with Canon 9600f (with absolutely no color correction). I was just amazed by the results. Please have a look:
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
We often use black and white film when shooting dramatic portraits, sweeping landscapes, and even in street photography. But did you know that it's just as effective in taking creative doubles, too? Take a look at this selection of lovely lomographs taken by some members of our community!
Being an addict of large and spacious 6x6 negatives on 120 film, I never would have thought I'd own a 110 camera someday. But when I came across the Pentax Auto 110 on an auction site, it was just too darn cute not to buy it. So I placed a bid, won the auction, and am now the proud owner of the tiniest SLR ever made!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Coinciding with the relaunch of the Lomography community website is the debut of one of the Magazine's newest series, Meet the Innovators. Here, we'll be talking to some of the game changers in the field of photography to get a closer look on what they do as well as find out their personal insights. For our opening salvo we proudly introduce Cat Ong, Lomography's very own Head of Optic Product Development who counts the research and development of the LC-A family, Russar and Petzval Art Lenses, Diana F+, and Lomo'Instant, among many others, as some of his projects.
Extend the Borders of Instant Photography with the World’s Most Creative Instant Camera System Packed With Fun Features and say hello to the Lomo'Instant Camera! The Lomo'Instant is the perfectly sized Instant Camera to take wherever you go! It’s the most creative way to shoot fantastic photos which you can share anywhere and with everyone in an instant.
Thought you can’t get sharp photos with the Diana F+? Think again! With the Diana+ 75mm Premium Glass Lens, you can shoot crisp and clear images with the signature dreamy appeal of the Diana. With our Adaptors you can even make it work on your Nikon & Canon dSLR!