I have just finished photography school and was asked by a good friend to shoot his wedding. In school, I got excited about film photography and the darkroom process, so when I found out I was going to shoot a wedding, of course it would be in digital, but I wanted to bring film back to the wedding scene.
On a beautiful Saturday in June, I went to photograph a wedding, my first wedding ever. Lucky for me, my birthday was the weekend before and I received a Diana Mini and a Holga. I was to shoot the wedding in digital, but I also used the Lomography cameras whenever I could. and got some really wonderful photos. Since the two cameras were new and I haven’t shot with them until the wedding, I was unfamiliar with how they worked and what the little tricks to them were, which made it even more exciting to get the film back.
The couple I photographed were more than pleased that I was shooting film, and they were just as excited as I was to see what we would get. The photos turned out well both in digital and on film. The double exposed photos were a complete accident. When I wound the film it, wouldn’t turn the around the whole way due to loading the film a bit wrong. However, they turned out great and that is what is so wonderful about shooting with plastic cameras—just having fun with it and see what you get. Next time you’re going to a wedding, don’t forget your Lomography cameras and have fun with them!
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Shooting with film can be considered a labor of love. From carefully loading the film and adjusting for lighting conditions to the darkroom process, it’s a laborious process but certainly a fulfilling experience. What more if you created your own cameras?
When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Michael Feurstein is not only a software developer, new media enthusiast and drum/saxophone player — he's also an avid pinholer! The Viennese multitasker started shooting pinhole when he got an ONDU camera for his 30th birthday and has now begun to rediscover his beautiful city through a pinhole photography project. Get to know more about his project and new-found passion for pinhole photography!
Mark Scadding and William Paltridge form Double Exposure Photographic and are based in the South of England. They have used the Petzval lens extensively for portraiture and a few food photography shots. We were intrigued to know more about this creative duo and asked them about shooting with this exciting lens.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.