If you tell me, it's an essay. If you show me, it's a story. That's what Barbara Green said. Whether Sasha Darling, author of Cowboy Junkies, heard of this is not certain. But her piece surely deserves a mention from us.
Already engaging on its own, Sasha’s story was made even better with the help of Chloe Fleury, a graphic designer. But accompanying the text of the article published on the Bold Italic are illustrations that break away from the graphic (read: computer-aided) norm. And delightfully so. Look at how analogue they are:
In my opinion, these quaint paper drawings unfolded the story as much as the words did.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Although its existence has always been known among locals, it was only in 1913 when the rest of the world was introduced to the Inca site of Machu Picchu through an expedition headed by Yale University and professor Hiram Bingham.
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Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.