What is wrong with my scanner? It doesn't matter - I love the results!
I started an experiment by spraying some alcohol-based glass cleaner on the film in my black-room. I went out with some friends and shot some pictures of the evening with my Sprocket Rocket.
The next day I went back to the lab and after developing the negatives, I started to scan them. But what was wrong? This was the first result:
At first I thought, the glass cleaner had a cool effect. Then I got the idea that my scanner was part of the mistake, so I scanned it again. But the second and third scans brought out the same strange-looking pictures. It must have been something with the film, so I tried another one to be sure – the other negatives worked perfect as usual. What was wrong with the film? Does glass cleaner change the film in that way, or is the scanner not able to work properly with this chemical on the negatives? I don’t know but I like the results:
The Sprocket Rocket is the first wide-angle camera dedicated entirely to sprockets. And with dual winding knobs for easy multiple exposures, there is no limit to your analogue creativity with this panoramic wonder. See the Sprocket Rocket in our Shop!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
If you've ever used the Lomo'Instant camera, you know that the Fujifilm Instax Mini film ensures amazing and sharp results with vivid colors and natural skin tones. And although we love it the way it is, we also love to experiment. This time we ventured out with monochrome on our minds and got some pretty crazy results — check it out!
Going away for the weekend is always fun, especially if, like me, you live abroad and go back to visit your home city! For my walk through Milan, I decided to bring with me the Lomo’Instant because well, I just love it! Here are my thoughts after this special weekend!
I wasn't very impressed when the LomoChrome Purple was first released. At least not so much that I wanted to get my hands on it at once. Of course I liked some pictures but eventually, I wanted to test it and what can I say? It was love at first sight!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!