I bought this camera at rag-fair in my hometown for 2€. It's my first medium-format camera, and probably the best.
I always wanted to have a medium-format camera, but i’m a poor student. On one lucky day, i found this camera and was really amazed that the camera works. So my way led me to the next camera-shop and i bought an Ilford 100 Delta 120. I was very cautious with taking pictures, because my thoughts were always of the price for the film, 5€. That was twice as much as i paid for the camera. I realized that the numbers for focussing the camera and the name of the camera are missing, so i looked for in the internet, what took me one hour. Anyway, the Stafetta-Duo is totaly amazing and one of my first choices for bright light.
The S-D has 3 shutter settings: 1/25, 1/50 and B. As well, two aperture settings: a sun and a cloud. I prefer 1/50 in combination with the cloud, to play safe with 100 ISO films. I didn’t try the yellow filter, because i just uses B/W films yet. The S-D also has a hot-shoe, i checked it and was marveled that also this was working.
Checking the first roll, I noticed the vignetting and the blurry corners. So, i totally felt in love with this camera. There’s just one thing missing. A cable release connection.
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Every summer, my soul screams for a lazy, hot day back at my parents' home, for some good food, relaxation, and catching up with childhood friends. This year is no different, so I went back down to my small hometown in the very northeast of Belgium to enjoy a perfect laid back day doing nothing and everything. And of course, I brought my analogue cameras along to eternalize all of these small but grand moments in life.
In April of this year I had the chance to test the Petzval Lens and to write a review on it for the German photography forum Kwerfeldein. The lens excited me from the very beginning, at the time it was introduced on Kickstarter. I was afraid that once I had tested the lens, I would want to have one of my own! Well, that’s what happened; a year later, I finally bought my very own Petzval lens.
An analogue camera inspired by Tara Mcpherson, A highly recommended gear for Lomography beginners and visual art lovers! With this edition see how Tara Mcpherson’s art joins the world of analogue cameras. Get it now for a special price!
A simple yet elegant looking camera, the Dacora Digna was a medium format camera from the 1950s that was offered with various lenses and leaf shutters. Find out more about this vintage beauty in this installment of Lomopedia!
Dominik regards the Diana F+ as a system camera because of its versatility and wide range of accessories. Find out what else he likes about this dreamy medium format snapper in this installment of Weapon of Choice!
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
A few months ago, Lomography made available a whole range of pinhole cameras made out of premium wood. Interested in knowing how good they are, I brought the medium format one on my last trip to Germany.