I am so used to cross processing that it is thrilling to do the “regular” way of processing a film. I loaded my Ricoh KR10x (an SLR) with Lomography X-Pro Slide 200 and shot in my hometown. As I had not used an SLR for a while, I was amazed by focusing and setting apertures (though it got a bit boring again after ten films)
It was not the brightest day, but the camera is very sensitive to light.
As you can see, I mostly shot lines and while shooting I thought that I do not want those clear photos cross processed. So I asked my lab to do the regular E6 (usually my lab crosses everything automatically for me) and I must say I really like the results! While the cross processed film gets yellow-green results and is sometimes a bit grainy, here you have bright and natural colors that are very intense, too. At least outdoors. Indoors, the film becomes yellowish.
I will try that again, though it is more expensive for me than cross processing.
I've photographed this city many times in the past—in color, black and white, and even in redscale. One day in March, the streets of Manila once again became my subject. Only this time, they turned into otherworldly places as the LomoChrome Turquoise drastically shifted its colors...at least on film.
There is nothing better than a photo shot at the perfect moment. Henri Cartier-Bresson's principle on "The Decisive Moment" is a principle that we should still follow to this day. A perfectly-timed photo creates impact, whether it's one of a friend jumping into the pool or a couple emerging from the ceremony on their wedding day. For this rumble, we want to see that breathtaking moment, shot at the perfect time. And you showed us what it's like to be on time.
As a professional photography graduate, Fernando never goes out without carrying at least one camera and treats it as an integral part of his body. Although he uses both digital and analog gears, he still regards using film as a more intimate way of creating images. Let's all welcome our newcomer from Brazil, Fernando Monteiro.
Lomography is always on the lookout for experimental and creative film, because we want to keep the love for analogue alive! We’re devoted to continually adding new and exciting films to our ever-expanding collection of photography products, both from our own production line and partnering together with likeminded companies. So in our ongoing quest to do so, we have teamed up with our friends at KONO! The Reanimated Film to share a totally new and exciting film with you — KONO! Donau 35mm Film!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.