I recently treated myself to 4 rolls of the Rollei Creative Edition films. I am going to write a review of these films in my opinion. This is my review of the Rollei Nightbird.
When I first got this roll of redscale back from the lab I was really disappointed with the results as in the most part they looked grainy, and hadn’t achieved the deep deep red tones I had seen so many times online and indeed on the packaging.
I was initially all ready to say that I hate the film quality and that it didn’t come out at all how I expected. However, I have since learned that the light meter on the Zenit I used it in is not 100%, which may account for the grainy photos as above. I also know that the Rollei Nightbird works best at higher ISOs which the Zenit E is not capable of. I cannot really explain however, why the photos below have come out with such blue/green tones and to me they look more like they have come from a roll of Lomography Redscale XR.
I think with the added benefit of hindsight, I am happy with how these shots came out and I will be buying a roll of this film again when I can because I would enjoy the chance to put it in a better and more appropriate camera. Overall, a 7 out of 10 for me.
Just recently I asked myself why I would want to write about a film like the Fuji Instax Mini, because usually this film is the only one available for Fuji Instax cameras. But then it hit me! It can be an alternative to many other instant films, since I can load almost any film into my Diana F+, other medium and 135 format cameras, and of course the Fuji Instax Mini.
Yesterday I picked up from my trusty photography shop in Como a developed and scanned color film roll containing images of the Sicilian festival held on May 1 at the city's historical center. A few hours ago, I made some scans of these images, which I'm pleased to show you in this article! Read more after the jump!
William Eggleston is one of the most important contemporary master and pioneer of color photography. In this article I write a tribute to his particular democratic way of looking around. For him "Nothing was more important or less important", and everything is worthy of being photographed. Again, he is fond of the dear old film; he said that "I don't think much about the digital world, because I am in the analog world!". Read more after the jump!
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Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
I recently had the opportunity to take the world’s most creative instant camera — the Lomo'Instant — for a stroll on an unusually warm and sunny November day. My goal was to acquaint myself with the endlessly cool features and infinite possibilities the camera possesses while creating some beautiful photographs in the meantime. Read on to see the results!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
They may be miles apart but it didn't stop these two lomographers from exchanging creative ideas and film rolls! Have look at this fiery film swap in this edition of <a href="http://www.lomography.com/magazine/tags/14084-doubles-with-you"> Doubles With You. </a>
The New Petzval Lens comes in 2 lens mount variations. You can purchase a New Petzval Lens with Canon EF mount, or one with a Nikon F mount. The lens works with both analogue and digital cameras with this type of lens mount. There also is a range of adapters available in our Online Shop to use your Petzval Lens on various other (d)SLRs or even compact system cameras!
The great American photographer David Burnett is famous for his unusual photos of sports competitions. He uses a tilt-shift lens to create miniature fakes, or a simple Holga camera to shoot in black and white. To write this tribute, I used my Holga to take some pictures of amateur sport activities around my city. Take a look after the jump.
Let it be known: this pairing has to do with love at first click, at the first roll of film, at the first prints. My newest toy, the Yashica Electro 35 GSN, combined with my favorite black and white film, Kodak BW400 CN: this is definitely going to be a long-lasting love.