This is Rollei and it hails from Belgium, its charming colors made me fall in love after shooting the first roll!
In the beginning, I was attracted by the “Rollei” brand name, and bought the film without knowing what I am getting into. It was only later when I realized that it wasn’t produced by Rollei, but by Agfa’s Belgium factory.
The first roll gave me a very strong feel, the colors are neutral, with a refreshing look, similar to those cinema films.
It has good indoor performance as well!
One special feature of this film is that its base emulsion is not the normal orange color of negative films but transparent! But fret not, it is a real color negative film and can be processed using C41 solutions.
Not knowing exactly how to do deal with its odd appearance, Nadica first regarded the Lubitel 166B as a complete monstrosity. She left it untouched on her shelf for months after receiving it as a gift. After using other Lomo cameras and getting familiar with the rules on exposure, she finally had the courage to test it. Find out what made stacy_mcpommes fall in love with the Lubitel 166B in this installment of Weapon of Choice!
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Shooting on film is an integral part of Kristen's identity. She mostly dedicates her work to Upstate New York, specifically the Catskill Mountains, where she grew up. Falling in love with the LomoChrome Purple's charm led her to setting up a LomoHome. In this interview, she talks more about her passion for shooting in purple and her upcoming exhibit featuring some of her LomoChrome Purple photographs that she printed on metal.
Kevin Law, a young photographer from Hong Kong specializing in shooting portraits, wedding events, and street snaps, likes to utilize natural lighting and colors to tell the story. Most importantly, he fell in love with the Petzval Art Lens immediately after his first try!
Leonard Knight passed away last year but he left an incredible legacy, an embodiment of love, that is Salvation Mountain. From 1984, he painted and remodeled a little hill in the California desert that's colorful as a cupcake and truly meaningful. And if anything ever would have been meant to be shot with Lomo cameras, it would be this psychedelic, holy hill.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
A movie's parting shot is a crucial element in the sense that it could either make or break the lasting impression that it would have on its audience. It could either wrap things up quite nicely and leave viewers satisfied, or it could do otherwise. For many, it's often the first thing that comes to mind long after the final credits have rolled out.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
As you may already know, the Autochrome Lumière first hit the market in 1907. Shortly after this, influential American photographer and gallery owner Alfred Stieglitz began experimenting with this new color photography himself after witnessing its first commercial demonstration while on a trip to Europe.
Derrick Ong's portraits give off a feeling of nostalgia and old-world charm. The Singapore-based photographer specializes in pre-nuptial and wedding shoots, and loves to capture moments in vibrant hues as well as in black and white. In this exclusive interview, he tells us about his experience shooting with the New Petzval Lens.
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.