Using a combination of a ringflash, gels, a macro lens and a low-sensitivity film you can create some amazing close, colourful and high-contrast photos. Using slide film and cross-processing launches these photos into full on psychedelia.
I discovered this process by accident, but have become addicted to the results. I recently purchased a ringflash and close-up lens for my Diana F+ camera. My plan was to walk to some antique stores an hour from my house and hunt down some interesting photo opportunities. I purchased some Lomography 200iso X-Pro Slide Film to use. Not ten minutes from my house it began to rain and all available light disappeared, along with my desire to keep walking. I peeled off my lens cap and took some quick up-close photos of a nearby flower bed and dashed home. When I had these developed they looked like night time shots due to the low sensitivity film. The background disappeared into darkness, but the flash brought insane colour and texture to the foreground objects.
The next round of shots were cross—processed and from there I have never looked back.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Ella Lama is a letterer and illustrator based in Manila, Philippines. Her work is a perfect mix of good cheer and unfeigned creativity. Recently, she designed a Lomo'Instant White camera with cute and playful illustrations inspired by her Japan trip.
Aside from photography, newcomer Dmitri Berenger enjoys a multitude of hobbies including gardening, watching movies, and discovering music. In this interview, he talks about his photographic style, his inspirations, choosing film cameras over digital gear, and many more.
London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
'Snapshot' was our Tumblr keyword this week. We spent the past few days looking at troves of fresh samples from all corners of the globe. We got lured to the most effortless variety, everyday captures upgraded to showcase compositions. We invite you to look at the ones we bookmarked for future visits.
Lomographer Carina, or landei in the community, regards the Sprocket Rocket as a "versatile plastic camera." For her, it doesn't only take great travel snapshots but makes an interesting conversation starter as well. In this interview, Carina expounds more on what makes the Sprocket Rocket her go-to camera.