It works in daytime, too.... And try this technique with Lomography Redscale XR
I saw this tipster by phalanx and was directly excited. HQME sounded good and fun. The letters stand for High Quantity Multiple Exposure. In the previous tipster, he mentioned this technique for night shots, so I tried that first. Over 30 exposures over another, all shot with my Holga – but that was still not enough. So I tried it during daytime, too.
The big problem about the technique during daytime is the high chance of overexposing your film. So my choice is the Lomography Redscale XR, as it is hard to overexpose that one. I set the Holga (I somehow only tried it with her) to sunny mode and shoot, shoot, shoot (at least ten times). Sometimes I even move the camera a bit, to get more dynamic in the shot. The HQME is also fun for portraits. You should really try it.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
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This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact and is capable of shooting photos in 3 different sizes: 6x12, 6x9 and 6x6. Equipped with high-quality interchangeable lenses and automatic exposure, it can give you beautiful shots with every roll. It can also take 3 different film formats: 120 film, 35mm and instant film. Read on to find out all about this fantastic camera.
Who doesn't love to shoot doubles? It's all fun and satisfying to shoot some double or even multiple exposure photos and see how they would come out. In this simple tipster, I will show you how to take the multiple exposure game to the next level!
This friendly girl from Singapore loves doing multiple exposure shots and exchanging films and stories with her fellow Lomographers. Let's all cheer for the enthusiastic lomographer Norlizah, most popularly known in the Community as stonerfairy, our LomoGuru of the Week!
Do you love Lomography's Lomochrome Purple XR 100-400 film? Me too! So let's see what it does when we shoot it through an assortment of color filters. I tried to document everything well enough that others could replicate and experiment on their own. I hope you find it useful.