After a few months of colour xpro’d madness, I decided to give black and white a go. I check what film was available at the Lomography shop and when I saw that there was a film called Lucky I couldn’t resist to get a few rolls. With such a name, nothing could go wrong! And I was right: As soon as I got it, I loaded my Holga and went for a walk in the cold November rain with little hope of shooting anything decent given the light conditions, but I was so impatient to start shooting that I thought, what the hell! I might get lucky…And I did! All of a sudden, out of the middle of nowhere a group of surrealist majorettes appeared parading out of the blue and without thinking it for a second I started shooting away…And oh boy! you can’t imagine my joy when I got the results.
It’s amazing what this little film can do in spite of poor light: what was a lousy day turned out in beautiful gray tones in the pics. In my opinion the softness of this emulsion is enhanced by the magic of the plastic lense: I’m just in love with the blurry touch and vignetting. It’s also highly recommendable for portraits.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
Lomography UK was lucky enough to test an LC-A 120 prototype in store and it was glorious! We used colour and black and white film to capture the camera at its finest. It was everything you would expect from the LC-A but in full frame 38mm f/4.5 120 film. It's LOVE.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Lomography has previously shown you the kind of shots that one could take with the new Lomo LC-A 120. Now, with the first batch already shipped out and arriving to their lucky owners, it's the community's turn to show everyone what they've been shooting with this awesome camera!
Cynthia prefers shooting multiple exposure photographs when using the Holga 120 CFN. In this installment of Weapon of Choice, she shares some of her beautiful monochromatic snapshots and a couple of tips when using this plastic shooter.
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.