Have you ever seen a photo and thought "Hey, I have taken this photo, too!" instantly? I have, multiple times. Like selfportraits in front of a mirror. Or some buildings. Or a photo of someone who is taking a photo. Like the one below…
Have you taken a similar photo of someone who is taking a photo? Or wanna take one? Then please submit it here. Let’s see how this turns out and create a gallery of great similar photos…
Some months ago the wonderful city of Matera, chosen as the European Capital of Culture 2019, hosted an exhibit featuring the works of an important Italian social photographer: Pepi Merisio, who had also donated all photos shown to the local public library. To pay homage to this great artist, I have selected a series of photos that I took in this place last summer. Take a look!
Who knew that by making a hop, skip and jump across town you could create such crazy lomo'instagraphs?! When equipt with the Lomo'Instant and the trusty Splitzer accessory - anything is possible. Take a peep at this selection taken from different locations across Vienna and see for yourself the phenomenal results. Read on to discover how you too can splice-up (and spice-up) historic buildings on your next sight-seeing trip.
For someone who was previously disinterested in photographic work, his newfound passion for photography is astounding. His photos have an edgy feel to them; and for someone who hasn't been shooting for a long time, his distinct style is - quite surprisingly - discernible. Meet this emerging fashion photographer from Buenos Aires who shoots on film and recently, the Diana+ Premium Glass Lens.
My family and I were in Udaipur (India) for a wedding ceremony and decided to travel around the area. We went to Jaisalmer, one of the most gorgeous cities I have ever seen (located on the border with Pakistan) and decided to stop by the remote Thar Desert, which is where these pictures were taken.
In case you missed the news, the LomoChrome Purple film that you know and love is now available in 16mm format, in limited quantities only. If you have a 16mm camera or know someone else who does, make sure to share the news! This beautiful film delivers a nostalgic, dream-like effect in purple tones. To illustrate, check out the movie by Julian Hand after the jump ...
The young artist and Magnum photographer Christopher Anderson published on his agency's website an awesome photo series, one of the images in it a great symbol of freedom, joy of living outdoors, purity, innocence, candor, and girlhood: the bare sole of a female lifted up, taken at the Central Park in New York. Like many other great Magnum photographers, Anderson explored this interesting body part through photographs. For this tribute, I chose a series of bare feet images I took along the promenade of the lake Como. Take a look!
This article is dedicated to the Italian street photographer and portraitist Ugo Mulas who masterfully documented the miniature circus of the great sculptor Alexander Calder. To write this tribute I documented a recent Christmas event in my city Como, a wonderful exhibition of vintage toys in a forest of snow-covered pines. Take a look!
Sometime between 6,000 and 10,000 years ago, a boy in northern Afghanistan was born with a gene mutation that hindered his eyes from producing melanin and thus from turning brown. He had blue eyes. If you see someone with blue eyes today, he is a descendant of this unlucky fellow. I am one of those weird folks and apart from feeling like a mutant and being Angelina Jolie’s secret sister, I am sensitive to light like an ISO 6,400 film.
Having a Belair X 6-12 feels like owning more than just one camera. It's a medium-format camera, but paired with its special accessories you can shoot 35mm or instant photos with it, too! The versatility of its 3 photo formats also offers more options to suit your shooting needs. Here, we present to you some of the most gorgeous Belair X 6-12 photos in classic 6x6 format. Enjoy!
A self-portrait may take root in confidence, extreme shyness or alternate bouts of each. Leanne Surfleet goes through this kind of fluctuation when the camera is all eyes. The attraction—as far as we’re concerned—is the mix of uncertainty and a kind of quiet poise. And here and there, a flash of skin that is more a mystery than full-on revelation. Even Surfleet’s portraits of other people have the same hushed invite, as if to say questions are encouraged. There we took our cue.