Ever wondered how the films we all love and crave for are made? Kodak has the answer, in an interesting 1958 documentary showing early production process of medium format films!
We already know the wonders of film photography and how its unique charm continues to captivate photographers and viewers to this day. We certainly find its timeless beauty refreshing in this fast-paced digital age. But, just how well do we know the rolls that create part of the magic in our analog photos?
In a rare 1958 documentary footage, Kodak gives us a fascinating and detailed view on how early films were made. The video shows the step-by-step process for making medium format (120) films, which were widely used from the 1890’s up to the 1950’s. According to the video information, although the exact source and purpose for the footage remains unknown, Kodak must have used it either as an instructional film for their new factory employees or as a promotional video for the camera-loving public.
Without further ado, we now present the amazing 2-part documentary below!
What are your thoughts on Kodak’s awesome documentary footage? Let us know through a comment below!
What makes a movie interesting? Today, answers would vary depending on the individual—the story, cinematography, film score, production design, and so on. But in the early years of cinema, movement was all it took to captivate the audience.
A few months ago, Lomography made available a whole range of pinhole cameras made out of premium wood. Interested in knowing how good they are, I brought the medium format one on my last trip to Germany.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for the motion picture industry and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Mimoun.
For Patrice Baunov, film photography is an "intimate medium that shows the interaction between the photographer and his surroundings during a specific moment." In this interview, our well-rounded newcomer from Berlin, Germany talks about his wide range of interests and how he applies Lomography's "Don't think just shoot" attitude on his photography and daily life.
Robin Rimbaud is a UK based artist, record producer, and composer who works under the name "Scanner" in reference to his use of mobile phone signals and police scanners in his early performances. He has worked on soundtracks for films, sound installations, radio, dance and theater. Robin also has a passion for medium format photography, owns a Holga camera and has a unique photographic style. Get to know him in this interview, where he talks about his personal work as well as his experience with the Lomo LC-A 120.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
As many of you would already know, shooting under low light conditions require more than a steady grip (or a tripod) if you're aiming for outstanding results. You must also have the proper gear, and that, of course, includes film. In this post, we list down five fast films that work their best under such conditions.