We found this nice old camera at my parents-in-law's place. I loaded it with a black & white film and took it outside for some test-shots.
The Paxina was built in 1959 by the Braun-Company in Germany. It’s a viewfinder camera that uses medium format film (120 film) .The Paxamar Achromat lens is located in a square pull-out (and push-back) bakelite lens tube.
It has a selector for three different aperture masks (f7.7, f11, f22). Another selector on the lens board allows choosing between shutter speeds 1/100sec, 1/30sec, and B (bulb). The shutter release is hidden behind the lens board, and you can do single, double, or multiple exposures. :-) Turn the front element for focusing from 1 metre to infinity. On top you find the film advance knob as well as the film-roll release knob. In the top of the camera you find the optical viewfinder.
Built in 1959, this beautiful camera is still in pretty good shape and works very well.
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
In the week preceding the elections for the European Parliament, several political rallies were held in Como. As with all other public events in my city I documented one of these rallies, this time using a Russian film camera Zorki 6 loaded with a black and white film roll. Take a look!
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
While it might sound unusual for some right off the bat, black and white film photographers do use color filters to experiment with their shots without ever needing to do some post-processing. How to do that and which filters to use to capture specific scenes? Take a look at this short instructional YouTube video clip by LZ Film Productions!
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
I got asked to take some photos during our last meeting outside the office, so I didn't doubt for a second, loaded my camera with a fast film, and had a great time. Want to know more? Check it out after the jump.
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
This month, after waiting for three years, my city Como hosted the Tour of Lombardy, an important event in the male elite road cycling tour. With my Fed 3 loaded with black and white film and equipped with ultra sharp Industar 50/3.5 lens, I documented the parade of cyclists who went to the starting line after they registered. Take a look after the jump!
Every summer, my soul screams for a lazy, hot day back at my parents' home, for some good food, relaxation, and catching up with childhood friends. This year is no different, so I went back down to my small hometown in the very northeast of Belgium to enjoy a perfect laid back day doing nothing and everything. And of course, I brought my analogue cameras along to eternalize all of these small but grand moments in life.
This article is a tribute to the photojournalist Bernard Cahier, the greatest Formula 1 photographer known as the "Cartier-Bresson of Motor Racing" for his great ability in capturing the right moment. Here, I'll feature a series of photos that I took at the Monza Grand Prix with a timeless black and white film! Take a look after the jump!
Lomography UK was lucky enough to test an LC-A 120 prototype in store and it was glorious! We used colour and black and white film to capture the camera at its finest. It was everything you would expect from the LC-A but in full frame 38mm f/4.5 120 film. It's LOVE.