I thought I was defeated by a long winter chill-- until I found springtime warmth with some redscale film at Wintergarden Park in Bowling Green, Ohio.
This spring, I have been drawn to everything redscale— perhaps I am just desperate for warm colors and sunny feelings following a cold, pale, winter in Northeast Ohio. I took a short trip with my Diana Mini loaded with 35mm Lomography Redscale to Wintergarden Park on the very first spring day to capture not only the natural scenery, but my longing for warmer weather and the spring transitions to come.
The park is one of my favorite places to go when I want to be surrounded by simple nature scenes. Walking alone through the park, the trees, and tall grasses stand quietly, not yet green and not yet budding. Nestled in on the southwest edge of town, the park feels lonely and vulnerable after shedding its winter skin, and occasionally I meet a lone runner or dog walker traveling the same winding path. I am intrigued by the textures of the hibernating vegetation, stark and thin, waiting to be softened by leafy greens and blooms.
Springtime is known for bright new beginnings, the struggle for rebirth and green growth, flowering fields of fertility and glorious awakenings. Cultures and generations have welcomed the spring with color and celebration. In contrast, at the park, I found my encounter with the first of spring was a quiet, calm, and simple first breath of a slow crawl back to life. In a way, the first signs of spring were captured by the sun hitting my lens, and I left the park feeling happy and hopeful for the warmer future to come.
If you take a left out of Regent St, down a windy lane, past a wise old man with long fingernails, over a wooden bridge and through a giant metal gate you'll find a very magical place. Yep, it's the Winter Wonderland Festival in Hyde Park! It's free to get in and it is the perfect place to get some awesome Petzval shots!
As the largest park in Union Country, New Jersey, The Watchung Reservation makes an ideal venue for hiking and outdoor photography. Visitors can look forward to a trailside, lake that freezes in winter, and a Science Center, among other natural attractions. With cameras and the new Petzval Lens in tow, the Lomography NYC lab team and I paid the park a visit, and this is what we found.
This is a film soup that I came up with a long time ago but was not happy about it at all. In fact, I've slightly modified it for this tipster that I'm about to share with you. Read on to find out more.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Exactly one month ago, we featured a fascinating project called "Brownie in Motion" by Columbus, Ohio-based photographer Stephen Takacs. We've recently had an interview with the man himself, in which he discusses in great detail not only his "dream project" but also his other works in various photographic processes including the ambrotype, tintype, and platinum palladium! Read our exclusive chat and take a look at his awesome work after the jump!
While the tiny 110 cartridge film has only tickled the fancy of film photographers in the recent years, this format was highly popular during its heydays. For those who have yet to learn about and shoot with 110 film, this timeline looks back at some of the notable milestones of this very compact format!
You want your subject be the center of attention? Petzval lens are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!