The Kodak Ektachrome EPP (35mm, 100 iso) is a rare film that comes with great results!
Yellow! Yellow is the main colour of this film with a little touch of green on certain occasions. I shot one roll only indoors, so I cannot say anything about how it looks exactly when shot outside. Like every Kodak- film here in Germany I shot it at half asa, so 50 asa with my Lomo LC-A. And I tried shooting with Ringflash, to see if it is working. Yellow and red are the flash colours that worked good, blue is not the best, but I guess that depends on many things (distance, surrounding,..)
I only have the expired version of thia film and really don’t know if it is still produced or if you have to get as much as you can and as fast as you can before it;s gone forever…
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
Today's featured awesome album is a stunning collection of surreal travel snaps which also prove that location, location, location is an important consideration when you're thinking of shooting with a rare emulsion!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
I've been experimenting with many substances, more or less corrosives, for film manipulation. The images come out so different, that sometimes you can't even recognize them. The pictures in this experiment are a result of mixing bleach and detergent powder.