Vivid colours. What to expect from a film who has this as addition to its name? Now I know! I really like the colours that come out of this 400-asa-beauty. A little bit bluish, like a cross processed film. And indoor shots are mostly in real colour (when you have a bit of sunlight). Because of its high asa you can perfectly shoot it indoors and outdoors. But this film has its price. It is quite expensive, but it is worth it!
I tried it with my kiev60 and I must say I am very satisfied with the results.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Autochrome was one of the first strides toward color photography. The combination of potato starch grains and silver bromide produces a cloudy cast that makes buildings like Villa Bonnier look even more intriguing.