Have you always regretted that you need to leave your Actionsampler at home every night?
As of now, light paintings, passing cars at night, and long exposures are not a problem anymore.
You only need:
1 Action Sampler (of course!)
a very small Phillips screwdriver (in most precision mechanics kits)
a small pair of pliers
15 – 30 minutes of your valuable time
You now have the Actionsampler before you. With the back open, you can see 3 screws in front of you (2 left, 1 right) and another hidden beneath the rewinding crank. Remove all the screws and keep them somewhere safe.
You can now disconnect the black inner part of the outer part. (Do not forget to remove the Film reel) This may well be a little fiddly job, but you can do that with a little patience.
After a while, there should be 2 separate parts in front of you (watch out for the lenses).
Now loosen screws 1 – 5. (As seen in the picture)
Pay attention to the small springs.
Now you can separate the part with the lenses from the rest of the camera. As mentioned, paying attention to the springs. They should stay where they are. When you’re done, you have 2 items in front of you again. It should look like in the photo.
*Take away this smaller part and remove the spring.
Then remove the plastic disk and return the springs.
You have now done the most difficult part. It is time to assemble. So just repeat steps 1 – 4 in reverse order.
If your Action Sampler reassembled, put a little bit of sticky black tape over the lenses and open this tape if you want to take a picture.
Make sure that your camera is secure and unmoving when you do long exposures. Your Actionsampler is so light that you can stick him even with double-sided tape to a fence or a road sign.
Now wait until dark and use your new Actionsampler!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
In New York City, winter has been harsh and long, the nights long and cold, and shooting outside is not fun anymore. So when the Lomo'Instant Boston Edition hit the shelves this week and the new Splitzer arrived at the Lomography Gallery Store New York, we decided to do a round of light painting portraits instead of sunny ones.
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Pixelstick is exactly the must-get tool to create mind-blowing light paintings with different colours and patterns: 1.8 meter long, 200 full colour and high fidelity LEDs! Grab your camera with long exposure mode and a tripod, and you can create dozens of dreamy pictures just by moving your Pixelstick in the dark. Take a peep at our friends from Lomography Hong Kong’s shots with the Pixelstick!
The Splitzer is a small slice'n'dice accessory that allows you to do all kinds of crazy stuff with your Lomo'Instant camera. For this gallery, we experimented with splitting faces and the results are quite hilarious!
Here at the Lomography NYC Gallery Store, we are always testing and playing with our cameras and accessories. We asked our staff to test the new Lomo'Instant camera. Liz, our lab assistant, went crazy with the long exposure future.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
In 1963, a couture-clad model in a bubble capsule floated through the streets of Paris. Melvin Sokolsky, the mastermind who dreamed it all, photographed her as strangers looked on. Stunts and gravity-defying acrobatics have this effect on people. The sense of danger or impossibility is the attraction; one cannot help but look.