I've wanted to try this now for a while, and a few weeks ago I finally bought a piece of red film, which is necessary to implement the idea. I actually wanted to buy an orange sheet, but I only found red.
The basic idea is to attach a piece of colored film, cut to shape for the Diana, specifically for the window the film is later placed over.
Since the colored film “eats away” quite a lot of light, this must be compensated for with the camera settings. In very sunny weather, I use the normal Diana lens and have the aperture set to cloudy. In the shade the wide-angle and super wide-angle lenses were used, the aperture setting was still on cloudy. As you can see from the photos, most of the contrast is lost through the red sheet, but I still like several of the pictures very much anyway. If I should ever find an orange sheet, I will definitely try it out again.
2014 has been a good year for me, photographically speaking. I finally realized a few projects I had been dying to try out for a long time and, despite my resolution not to buy new ones, acquired some new cameras.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
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When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.