I've wanted to try this now for a while, and a few weeks ago I finally bought a piece of red film, which is necessary to implement the idea. I actually wanted to buy an orange sheet, but I only found red.
The basic idea is to attach a piece of colored film, cut to shape for the Diana, specifically for the window the film is later placed over.
Since the colored film “eats away” quite a lot of light, this must be compensated for with the camera settings. In very sunny weather, I use the normal Diana lens and have the aperture set to cloudy. In the shade the wide-angle and super wide-angle lenses were used, the aperture setting was still on cloudy. As you can see from the photos, most of the contrast is lost through the red sheet, but I still like several of the pictures very much anyway. If I should ever find an orange sheet, I will definitely try it out again.
2014 has been a good year for me, photographically speaking. I finally realized a few projects I had been dying to try out for a long time and, despite my resolution not to buy new ones, acquired some new cameras.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
I bought the LomoKino years ago, and since then I've been having great times with it. I will continue documenting my daily life with the LomoKino, which is Lomography in motion! You can see the movements and facial expressions of people - it’s priceless! Documenting life in moving pictures, the Lomokino can be used as a camera that not only shoots moving pictures but also works like the multi-frame wonder camera, Supersampler!
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Enjoy a truly analogue moviemaking experience with Lomography's 35mm movie camera and an accompanying accessory to watch your films with. View your masterpieces in the most analogue way possible with the LomoKinoscope. Get it now 20% off the regular price!
Some weeks ago, I made a tribute to the great photographer Robert Frank and his 1958 black and white series taken in New York from a bus window. He is the master of the ordinary moments, capturing the essence of daily life in a series of free and random sequence of photos where nothing important happens! And as I've written there I wanted to take a similar experiment with color film, which would change the perception of the environment where people live. Read more after the jump!
The all new LC-A Minitar-1 Art Lens captures people caught in the glories of daily life. From staged portraits or quick snaps on the street - the Minitar holds on to the faces of friends and foes alike.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.