The Agfa Clack is camera, which was built between 1954-1965 in Munich, Germany.
The name is the agenda, it makes a loud clack when your making a photo.
The Agfa Clack was my first analogue camera (except some single use long time ago) I’ve ever bought. Hey I’ve just paid one euro as i bought it at ebay. I thought trail and error maybe it’s crap and maybe not. The first problem was that i didn’t even know what a medium format film is, but i bought one in a shop for photography. The next problem was, that i didn’t know, how i should load the film into the camera, but in the internet i found a instruction. It is really very easy and i think everyone here knows that.
As the film was loaded I’ve gone outside to make some pictures.
It was very curious, this huge monster in my hands and all this strange looks at me. But somehow I loved it.
It’s easy to make pictures with the Agfa Clack. It has a fixed-focus from 3m to infinity and another lense for 1-3m.
There are also two different shutter speeds (1/30s and B for as long as you want). The Agfa Clack is really huge and this is adequate because the photos are also very huge. It has not the “normal” square format like other medium format cameras, the negative format is 6×9cm. It is great! The camera has also a aperture switch to choose from sun or clouds.
And for showing you how huge the Agfa Clack is, here are the dimensions 111 × 100 × 92,5 mm and 320 gram.
At least nowadays I know what a medium format film is and I know how to load on into the Agfa Clack. I think i have to do it again the next days. The Agfa Clack is no crap it’s awesome.
My passion for old and analogue cameras hadn't stayed unnoticed among my friends and acquaintances. Which is why I've received cameras as gifts for many times now. My Agfa Clack is an example. It's about 60 years old, fully functional, and a real film eater.
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
My name is Sinead Allison and last year, I finished my 105-day journey with my now husband through different countries including Iceland which was the most Jurassic place we visited. Here are some shots of us making our way with two packs, a bus passport ticket and a tent.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Her interest in photography started when she saw a shop in Vienna selling cameras with her name "Diana" printed all over. She then applied as an intern in Lomography Germany where she had a great time getting on the analogue grind. Let's all give our cheerful and perky Newcomer of the Week, analogeanstalten, a warm welcoming hug!
Photos shot with a New Petzval lens are immediately recognizable for their super-sharp focus areas and wonderful swirly bokeh effect. Each New Petzval lens is crafted from brass (just like the original Petzval lens) and features premium glass optics. Together with Lomography, the lenses have been designed and constructed by a team of optics specialists at the Zenit factory in Russia. Zenit are master lens manufacturers and have the skill to build the Petzval lens for use with today’s SLR cameras.
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
This is a tribute to Juergen Teller, a great fashion photographer who continues to work with analogue cameras. In the 1990s he radically changed the way to make fashion photography. His models appear "soap and water", without heavy make-up, and his images seem taken like an amateur photographer. Between his nice works, there is a photos that I like so much, taken in Cuba and called "The Girl with the Broken Nose." Take a look after the jump!
One of the best things about analogue photography is the unpredictability in the outcome of your photos. Make things a little more exciting by trying out an experimental film like the Adox Color Implosion for 35mm cameras!
You’ve shouted your analogue love from the rooftops and worn your heart on your sleeve – Now it’s time to take it to the next level and wear it on your skin! Our new Lomography Tattoos are fun, easy to apply and come in five designs.
The Diana Mini is turning five years old this month! Through the years we have seen this sweet and petite 35mm camera transform from a classic analogue beauty to a blinged-out snapshooter and everything else in between. Remember the Love Letters edition? How about the Premier Cru? To refresh your memory here's a gallery of all the Diana Mini styles we've released in the past five years. Which among these limited edition Clones is your favorite?