I decided to use the Lomography CN 400 ISO color negative film for the first time with my LC-A. Although I have some problems with my LC-A and some of the photos didn’t make it, I can say that the film proved to be quite versatile, especially at night and in dark conditions.
Combining the long exposure of my Lomo LC-A and the Color Negative 400 ISO, I could take some good night shots, even in dark conditions. Here are some examples of night shots in the city of Barcelona. The last one was taken from my car, when I stopped to take a pictureof the wok restaurant I always find on my way home, although it’s a bit blurred.
I had some problems with the shots on sunny and bright days (I really have to think what to do with my LC-A), but the ones on cloudy days were just fine. Again, the film is quite advisable for these situations, although I personally prefer blue skies on my lomo pics (and who doesn’t?).
Next time I use this film I’ll try to do it with a full working camera and check my results, but I’m quite satisfied with the work of the film in difficult conditions.
The Lomo LC-A is the camera that started the Lomography movement. With full controls and wide ISO range, this automatic gem is perfect for beginners and professionals alike. Get your own Refurbished LC-A in our Shop!
The shift from using a Pentax MX to a Fisheye No. 2 was quite a big leap for her. Although some of her first photos came out underexposed, it didn't stop her from loving and shooting with this wide-eyed camera. Find out more about Cris Miranda and her First Lomo Affair with a Lomography Fisheye No. 2!
On a sunny April Sunday, I decided to load a Lomography X-Pro Slide 200 on my new Lomo LC-A+; both bought few weeks ago from the Lomography Online Shop to take some photos of some Italian food stalls in the center of my city, Como. Here my first impressions about this interesting film.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
I got asked to take some photos during our last meeting outside the office, so I didn't doubt for a second, loaded my camera with a fast film, and had a great time. Want to know more? Check it out after the jump.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
You want your subject be the center of attention? Petzval lens are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Where are you headed to this summer? Where I'm from summer has ended too soon, so I'm still daydreaming of sand and seafoam. I decided to check out the archives for some cool beach-y snapshots and came across a lot of interesting underwater photos! Check out my finds after the jump; hopefully this list will inspire you to grab a Fisheye Sub or a Krab, along with your Fisheye cameras and LC-A+, for some underwater adventure.
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.