I thought I was defeated by a long winter chill-- until I found spring time warmth in Lomography Redscale.
I don’t know what I love about redscale in the spring— perhaps I am just desperate for warm colors and sunny feelings following a cold, pale winter in Northeast Ohio. I traveled with my Diana Mini loaded with 35mm Lomography Redscale to the park on the very first spring day to capture not only the natural scenery, but my longing for warmer weather and the spring transitions to come.
Walking alone through the park, the trees and tall grasses stand quietly, not yet green and not yet budding. The park feels lonely and vulnerable after shedding its winter skin, and occasionally I meet a lone runner or dog walker traveling the same winding path. I am intrigued by the textures of the hibernating vegetation, stark and thin, waiting to be softened by leafy greens and blooms.
Springtime is known for bright new beginnings, rebirth and green growth, flowering fields of fertility and glorious awakenings. Cultures and generations have welcomed the spring with color and celebration. In contrast, at the park, I found my encounter with the first of spring was a quiet, calm, and simple first breath of a slow crawl back to life. In a way, the first signs of spring were captured by the sun hitting my lens, and I left the park feeling happy and hopeful for the warmer future to come.
Sometime ago, I was invited to do a film swap. This means a roll of film is exposed two times by different people. As I had never done this before, I was enthusiastic to explore this new field of Lomography.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
During the long nights around Christmas, the China Light Utrecht Festival was held in my hometown. On our visit, I brought my trustworthy Nikon F80 to shoot some pictures. Finally, the rolls came back from the lab recently and I was stunned by the results!
Singapore, like Kuala Lumpur and Hong Kong, is a likely stopover when you fly far. The city is a tiny urbanized hub but it's very favorable if you know some high-spirited locals. I was lucky to hook up with king kimbo (@hakimbo), who showed me around. He took my lame limbs to the Gardens by the Bay, an amazing place which was visually striking. I was hugging some artificial trees there when I found a baby—a very big baby.
In New York City, winter has been harsh and long, the nights long and cold, and shooting outside is not fun anymore. So when the Lomo'Instant Boston Edition hit the shelves this week and the new Splitzer arrived at the Lomography Gallery Store New York, we decided to do a round of light painting portraits instead of sunny ones.
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
It's time to come out of winter hibernation! The warm weather of spring is around the corner, and it's time to celebrate. From a bar crawl to a community group exhibition, we're doing it all. So grab your kilts and clovers and come join us for another round of fun!
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.