I'm always up for trying different types of film. This is Lomography after all, isn't it? :) So I picked up a few rolls of Kentmere 100 Black and White 35mm film and did some shooting.
Kentmere is a true black and white film, meaning it can’t be processed in C-41 color film chemicals. There are several types of B&W film, such as Ilford's XP2 and Kodak’s BW400CN, that can be processed at your neighborhood drugstore. Kentmere has to be developed at a lab that does black and white processing. Thankfully there’s a film lab not too far from my house that can do it.
My local lab charges $7 to develop a roll of 35mm black and white film. Yikes!!! Thanks to the Lomography tipsters, I overcame my apprehension and started developing film at home. It’s very easy. One of the first rolls I tried was Kentmere 100. I compared my home processing results to some Kentmere that was developed by my local lab. I’ll pat myself on the back because I think I did a good job.
My overall impression of Kentmere 100 is positive. It doesn’t have super dark blacks or bright whites, but it has some nice middle grey tones. It’s not a very sharp film either, but at $5 per roll that’s no surprise. I can see a fair amount of grain when I blow up the photos. The medium grain is evident in both the lab-developed and the home-developed photos. I used Ilfosol-3 developer which is supposed to result in smoother grain too.
I found Kentmere 100 to be a very versatile film in my rangefinder cameras. And another pleasant thing I discovered is how it doesn’t curl up like a lot of other negatives tend to do. It makes scanning them much easier. Will I buy more Kentmere 100? Yes!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Stop bath is a type of chemical used in the darkroom for processing black and white film, aptly named as such because it halts the development of the images. In this case, stop bath is also part of the title that Korean analogue street photographer <b><a href="http://instagram.com/sooeatsyourstreetforbreakfast">Soomin Yim</a></b> has given her body of work, "Stop Bath the City," to represent the forgotten faces of people in the city amid rapid modernization, captured and immortalized on black and white film.
Are you ready for an adrenaline rush? A little while ago, we teamed up with the snowboard and film-making collective Yougofirst and gave them a LomoKino and some film rolls to play with. After a season of crazy riding, jumps and tricks, they have finished their latest movie HETEROTOPIA which features footage shot with our 35mm movie-maker. We had the chance to catch up with Vid and Matic from the collective about the new movie and their experiences shooting analogue on the slopes. It's also our pleasure to showcase the movie here!
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
My friends and I teamed up with Photo Art Pro to spread analog love to the Zaporozhye community. Last month, we hosted a Yeti Scavenger Hunt and had a LomoKino camera as prize. We challenged participants to shoot a roll of film based on a checklist. It was tremendous fun!
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!