It was my first foray in using a Lomography slide. I've tried out their negatives and redscale film and was happy with the results. So the end for this was predictable—very happy as well.
Some crossprocessed slides tend to lose contrast and details and could also end up grainy. The Lomography (LSI) Slide/x-pro doesn’t fall into that category. My experiences with other slides is it’s tendency to over emphasize colors like red, green, blue, and yellow. This LSI slide is partial to yellow but doesn’t overwhelm the image. The flesh tones are actually good, and even natural.
As expected from a slide with an ASA200 rating, night shots are clear and even double exposed shots do not lose detail. Whereas you’d normally think twice about taking night shots with your expired slides without a flash, well, not in this case. This LSI slide will capture your details without a flash even if double exposed.
I’ve been pointing out no data lost and wish to emphasize this. I didn’t encounter blown-out hight lights whether it is shot indoors or outdoors. In some particular shots, the blue sky color was decently blue with a haze of green on the clouds—again, not bad for a crossprocessed image.
Using fresh slides is refreshing (as opposed to expired ones). It’s worth saving up your piggy points to get them.
The LomoChrome Turquoise film boasts bold and unpredictable colors, so I thought "redscaling" it would yield an even more dramatic result. Much to my surprise, the dominant color palette of my photographs revealed LomoChrome Turquoise's soft and delicate side.
You know that friend who hovers around after a picture and begs for a peek? That’s us. So when the first batch of Lomo’Instant Wide was shipped out, we naturally waited for happy new owners to share their one-offs. Here are some of our favorites.
I’ve been shooting analogue as long as I can remember but it wasn’t until a few months ago that I was introduced to instant photography. So, you can imagine when I was given the chance to try out the recently introduced Lomo’Instant Wide, I “instantly” said yes and hit the streets of Vienna!
A true Lomographic gem, the Lomo LC-A+ RL is blessed with good looks and bursting with experimental potential. Get ready to shoot amazing Lomographic photos by experimenting with MX shots, long exposures and a whole range of accessories!
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
What's so great about analog photography? You never know what you will get in the end. Not every film let all of my photos look perfect, some fail, too. Maybe some of you experienced the same. After trying out several film soups and chemicals I finally discovered the easiest and quickest way: chlorine!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Using my Canon EOS 20D, I already discovered the amazing bokeh effect of the Petzval Lens. So I was really excited to try it with my favorite digital hybrid camera, Olympus OM-D E-M5. Just attach an adaptor and off you go!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
This article is a tribute to the street and humanist photographer Sabine Weiss. Considered a living legend in street photography, she likes to photograph daily lives of people, trying to capture the emotions she recognizes around her. Weiss like to photograph people of all ages but she especially loves to take photos of children, masterfully immortalizing their spontaneous gestures and emotions. For this article, I was inspired by one of her rare sports photos of some children practicing judo. Do you want to know more about this great artist? Well, read on!
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.