This little gem, although small, can give you an amazing night experience. There's already plenty of Diana Mini reviews around, so I'm going a bit different. I'm going to review the Diana Mini as a night camera!
I’ll start with the Diana Mini with the Diana Flash. This camera has quite a small aperture (f8 & f10), so because of that, the light from the flash won’t really white out the subject. This makes it perfect for taking pictures at parties and night events!
Using color filters from the flash, and multiple shots on a frame/half frame, the result will be from another realm!. When you use the color filters, remember to consider some loss of light. This is because the filter will absorb some light passing through it. Also, it is very common to misplace the filters so be careful. You can find some tipsters on that.
Moving on to the B-mode, this camera handles it pretty well. Because of the plastic lens, I can see some kind of light bending at times. Also, like other cameras with B-mode, you can experiment with light paintings. You can improve composition by using a tripod and a shutter release, but I love the casual ‘hold down B mode while in the car’ style of photography.
I think through experience, most of the downside of this camera happens during the day. Excessive vignette, less sharp pictures and maybe the occasional ‘too dark for indoors’. But at night, this little fella is a straight up winner!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
It looks like it’s time to get out the cameras and pack your bags. Together with the Shift School Dresden, we offered amazing prizes, including an insider trip to Paris, where you can take part in photography courses and visit the world-famous Paris Photo Tradeshow. Of course, there’s also a ton of Lomography prizes at stake like cameras, accessories and film so that the winner can capture memories from the trip on film. And now to announce the winners!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.