Here's another tipster that is quick but need some patience to accomplish!
The examples seen in this effect were done with DNP Centuria 100 (Do-It-Yourself Redscale Film). I recommend to use just any ordinary negative film that is both cheap and simple to play with.
What You’ll Need
• 1 Roll Redscale Negative Film
• Cheap film scnanner (I bought it for USD 22.00 only!)
Load the film into the camera. Snap, snap and snap. Rewind the film.
Keep your film at warm place (window, kitchen, etc). Just leave it up to a maximum of 4 months. Add some patience and excitement while you wait for the result. Then process it normally and scan it with cheap film scanner.
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
What happens when you take one crazy film guy, some new and interesting Lomography film, and see what it can do? Magic is what happens, and that is why you need to try some of these techniques when shooting the LomoChrome Turquoise yourself!
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
The Cannes Film Festival showcases some of the world's best cinematographic masterpieces. It is an annual event that is highly anticipated by fans and connoisseurs of both mainstream and independent cinema. This year's festival has officially opened and film buffs everywhere are excited, at the same time curious, about which film will win the Palme d'Or. We are in no position to predict the winner, but we do have our favorites, from the ones in competition and otherwise. In no definitive order, here is a list of 10 films that we'd like to see.
It is always a pleasant experience collaborating with our old friends and LomoAmigos. This time, Emily Soto shot another wonderful series with her Petzval Art Lens. We can't wait to share it with everyone, so here they are!
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.