I remember when this film first came out I was very much excited to try it out and soon enough placed an order for the first pack. When the results came back from the lab...well just read along to find out.
When I got the first roll back from the lab I had mixed feelings about the results I had gotten. The colors where a little crazy, all over the place. The saturation and natural contrast had been how I expected, but there was so much grain that I couldn’t understand why that had happened.
There was one photo of the first roll, the first photo actually, that surprised me because it turned out in a weird red color. I’m guessing that since it was the first picture of the roll it might have had some light leak into it when I was loading the film or something… judge for yourselves…
I personally have never been such a great fan of grain. But after looking at my first pictures with the Lomography X-Pro 200 I started liking them more and more each time. The grain gave them a strange but powerful attitude that blended perfectly with the saturation and vignettes from the LC-A+. I was convinced that I now loved this film. So I loaded my camera with another roll of Lomography X-Pro 200 and started snapping.
When I got these second results I was really happy because I already knew what to expect, and I loved the saturation and unpredictable colors it gave me. As you can see some shots were more greenish and other were more red. I guess it mostly depends on the light that’s hitting the subject.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
During the long nights around Christmas, the China Light Utrecht Festival was held in my hometown. On our visit, I brought my trustworthy Nikon F80 to shoot some pictures. Finally, the rolls came back from the lab recently and I was stunned by the results!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I wasn't very impressed when the LomoChrome Purple was first released. At least not so much that I wanted to get my hands on it at once. Of course I liked some pictures but eventually, I wanted to test it and what can I say? It was love at first sight!
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
Where are you headed to this summer? Where I'm from summer has ended too soon, so I'm still daydreaming of sand and seafoam. I decided to check out the archives for some cool beach-y snapshots and came across a lot of interesting underwater photos! Check out my finds after the jump; hopefully this list will inspire you to grab a Fisheye Sub or a Krab, along with your Fisheye cameras and LC-A+, for some underwater adventure.
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.
I have good memories of Tagaytay Highlands. There had been times when some of my friends and I would spend the weekend there, playing all sorts of sports and having our bodies healed in the warm and lapping jacuzzi pool. But those were distant memories. I was able to go back to this place, but only for an afternoon, and tried to remember the good old days.
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The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
Ladies and gentlemen, for this rumble, we’ve joined forces with Australian MC/singer REMI Kolawole. Since he is on tour now and will play in many different places this summer, we’re looking for your best, most exciting analogphotos which you feel best capture the essence of music festivals. Hot prizes are waiting for you!