First steps to modify the film before its exposure. I've read the article about the salty water and also the one about the dishwasher bath for the filmrolls. Well, I am not so known yet in LabRat so I thought of starting from the very beginning.
My first filmroll i just drop it into a hot and boiling bath – ordinary water! I let is drown for about 5 minutes and dried the pulled out film over a heater in a darkroom. All in all nothing special, but the results are quite nice, all pictures got a light purple fog.
In the second round I wanted to go slowly forward so I’ve tried boiling sodawater. Had the film dried again over the heater and on the next day I ran out to shoot some pictures. The first once are quite similar to the hot water once, only a slight of color is seen on the bottom but as forward as I shoot, the pictures get more and more a purple fog, color-bubbles and blue stripes till there are no motives at all visible.
I think, I am fixed on experiments now and I will go further. we’ll see which ingredient I will try next!
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
As a wildlife cameraman and photographer, Ian Llewelyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewelyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Autochrome was one of the first strides toward color photography. The combination of potato starch grains and silver bromide produces a cloudy cast that makes buildings like Villa Bonnier look even more intriguing.
Anna Hollond got her fist camera on her 10th birthday, and she hasn't stopped carrying a camera ever since. About a year ago, she sought to document her memories for her journal but didn't want to do so digitally, and got her first Lomography camera. Next thing she knew, she had a trove of instant cameras, as well as a knack for instant photography.