When I chose to grab the Holga 135 from amidst all my cameras, the way I take pictures changes the possibility of shooting double exposures.
However, this one is my favourite. The steps that you have to follow are the ones below:
1. Take a picture wherever you want but in a place where the sky is the half part of your frame (the upper part).
2. Turn your camera.
3. Take the exact same photo that you did before with your camera turn it upside-down and with the sky at the other half of your frame (now in the part below).
Your photographs will be doubles, will be somewhat special and more sharp because the sky will play the leading part at your composition.
Sometimes when taking pictures I get addressed by strangers either because of my cameras or because they don't want me to shoot something they claim they have responsibility for. But having the police on my back was a new experience.
Pixelstick is exactly the must-get tool to create mind-blowing light paintings with different colours and patterns: 1.8 meter long, 200 full colour and high fidelity LEDs! Grab your camera with long exposure mode and a tripod, and you can create dozens of dreamy pictures just by moving your Pixelstick in the dark. Take a peep at our friends from Lomography Hong Kong’s shots with the Pixelstick!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
This article is dedicated to arguably one of the most famous street photographers in the world, Henri Cartier-Bresson (1908-2004). On this occasion, I felt obliged to write a tribute to this great artist whom I consider the "Mozart of Photography." His photos are inimitable, and to try to reproduce his innate sense of composition, harmony, and choice of the right moment is but an illusion. So I chose an unusual way to pay tribute, the only way possible for me. Take a look!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Cynthia prefers shooting multiple exposure photographs when using the Holga 120 CFN. In this installment of Weapon of Choice, she shares some of her beautiful monochromatic snapshots and a couple of tips when using this plastic shooter.