If big action Hollywood cinema featuring large terrestrial reptiles who roamed the Earth long before Lomographic cameras existed are your type of deal, then you've probably seen Jurassic Park more than a few times. Combine your love of dinosaurs with a trip down Florida's east-west corridor on Interstate-4 and you'll surely be excited to find Dinosaur World.
Just look for the not-so kitschy T-Rex off of exit 17 and follow the signs. Once you’ve wrapped up all the precursory dealings (parking, admission, etc.) you’ll be able to let loose in a faux land before time.
Naturally you’ll want to see dinosaur big-wigs like the Dilophosaurus, Triceratops, and of course Mr. Terrible-of-them-all T-Rex, but take care in making your slow stroll down the foot path for an easy and enjoyable visit. It won’t be long before you come face-to-face with all 150 life-sized lizards.
Should your feet feel achy, there are several benches throughout the park. Both seats and A/C can be found in the museum where video is played. However you decide to spend your own time at Dinosaur World is totally up to you. No matter what the outcome, it is destined to be FUN!
As a wildlife cameraman and photographer, Ian Llewelyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewelyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Autochrome was one of the first strides toward color photography. The combination of potato starch grains and silver bromide produces a cloudy cast that makes buildings like Villa Bonnier look even more intriguing.
Anna Hollond got her fist camera on her 10th birthday, and she hasn't stopped carrying a camera ever since. About a year ago, she sought to document her memories for her journal but didn't want to do so digitally, and got her first Lomography camera. Next thing she knew, she had a trove of instant cameras, as well as a knack for instant photography.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)