I used to take alot of static objects but I get tired after seeing too many landscape shots. Taking too many of the same subject is not my STYLE! Looks like I need a large breakthrough!
I used to take a lot of static objects but I get tired easily, especially after seeing too many landscape shots. Taking photos of the same subject over and over is not my STYLE! Looks like I need a breakthrough!
I feel envious when I see other Lomographers’ motion shots. I’ve always wanted to capture motion, such as when one is running, in the rain, when the wind is blowing, etc. But I don’t have much confidence in myself yet. I keep on asking: do I need to use a professional camera for that? Should I learn any special techniques?
But then, I am a huge fan of the “Don’t think! Just shoot!” motto. In this case, I prefer quantity over quality. I’d rather bring my camera everywhere with me and shoot at every opportunity!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
I bought the LomoKino years ago, and since then I've been having great times with it. I will continue documenting my daily life with the LomoKino, which is Lomography in motion! You can see the movements and facial expressions of people - it’s priceless! Documenting life in moving pictures, the Lomokino can be used as a camera that not only shoots moving pictures but also works like the multi-frame wonder camera, Supersampler!
As you can see in my albums, I love to photograph sports events. In this case, I used a pretty Actionsampler camera to document a mini basketball game played in the park of my city Como, in celebration of the Festival of Sports. It's a funny camera with interesting results! Take a look after the jump!
Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.