When i was appointed to be the manager of the brand new London LomoLab i knew i was a very lucky man. Here is the story of how it got made...
From the second I saw the lab coming soon sign I knew I had to step up, play my part in the analogue future.
There was a certain thrill to covertly cross processing at my old lab and as the analogue expert the other lab operators used to leave the lomography films for me to print.
The last 3 weeks have been hectic to say the least with my experience of photo labs limited to keeping one going rather than starting one up. This lab is much more important than any I’ve worked in before. Offering unique services tailored to the unique cameras that we sell brings its own challenges
In a lot of cases, modifying and hacking the lab machinery to deliver consistent results on exclusive lomographic film & print standards.
In one instance the company that makes the machines were unaware that the machine could process medium format. This led to a 30-minute apocalypse resolved by Lomolab Austria showing me how to trick the machine into thinking medium format was 126 film.
It still pains me every time I have to turn a customer away because I’m not ready to print but this’ll all change soon when we can accept orders and I’m looking forward to seeing all the amazing pictures people take, all on film.
The LomoLab will launch on the 11th March, 2011 at..
Lomography Gallery Store East London
117 Commercial Street
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.
A couple of weeks ago, I was lucky enough to participate in a three-day cyanotype workshop organized by the UP Iris, the university-wide student organization of the University of the Philippines. Here's a step-by-step guide to making your very own cyanotype print!
When I was a kid, one of my greatest joys was to go to the park. I especially loved playgrounds. It didn't matter how may other children there were, as long as I could have my turn to go on the slide and and sit on the swing. These days, enjoying one's childhood has become so different. Technology has stolen the interest of children in more physically demanding yet fun activities.
Thought you can’t get sharp photos with the Diana F+? Think again! With the Diana+ 75mm Premium Glass Lens, you can shoot crisp and clear images with the signature dreamy appeal of the Diana. With our Adaptors you can even make it work on your Nikon & Canon dSLR!
Edwin from the Lomography Team first learnt about Lomo cameras when he was studying design. The first roll of Fisheye 1 from his photography classes made him very happy, and he kept Lomo in his life ever since. In his last trip to Taiwan, Edwin brought along the Belair Instant Camera. Did this Instant Camera bring him the same happiness? What does Edwin think about his travel companion?
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Every summer, my soul screams for a lazy, hot day back at my parents' home, for some good food, relaxation, and catching up with childhood friends. This year is no different, so I went back down to my small hometown in the very northeast of Belgium to enjoy a perfect laid back day doing nothing and everything. And of course, I brought my analogue cameras along to eternalize all of these small but grand moments in life.
The Horizon Kompakt is a miracle in the shape of a 35mm camera. Just watching its multi-coated swing lens as it sweeps 120° degrees is a wonder to behold. With "Day" and "Night" shooting settings and battery free operation, it's also incredibly simple to use. Capture picture-perfect panoramas and get prints approximately the size of two standard frames. With the Kompakt, you'll see the world from a whole new perspective.
Matthieu Soudet is a child of photography. He started shooting in his native Normandy when he was only nine years old. Since then, he has dedicated his life to capturing magical moments and puts his boundless creativity to good use through beautiful pictures and portraits. He tested the New Petzval Art Lens tells us about his experience in this exclusive interview.
I would like to tell you about the Zhuzhalka. Zhuzhalka is the slag waste that remains after coal mining. But in this story, in our case, we have another meaning for this word. Here, the Zhuzhalka is a Ukrainian group of young photographers. These photos are by artists from Donetsk city in eastern Ukraine. The name of the project was influenced by the geographic specialization of Donetsk.
Here’s a random and rather mysterious tale for you folks. Just the other day, I was at a local bar with a few friends. It was much like any other evening; we were sipping a couple of cocktails, recounting our adventures, falling over ourselves with laughter and half-drunkenly meditating on the meaning of life (a scientist once told me it’s 42 by the way). But then something truly strange happened. Read on to hear my story and please make a comment with your guess at the end!