When i was appointed to be the manager of the brand new London LomoLab i knew i was a very lucky man. Here is the story of how it got made...
From the second I saw the lab coming soon sign I knew I had to step up, play my part in the analogue future.
There was a certain thrill to covertly cross processing at my old lab and as the analogue expert the other lab operators used to leave the lomography films for me to print.
The last 3 weeks have been hectic to say the least with my experience of photo labs limited to keeping one going rather than starting one up. This lab is much more important than any I’ve worked in before. Offering unique services tailored to the unique cameras that we sell brings its own challenges
In a lot of cases, modifying and hacking the lab machinery to deliver consistent results on exclusive lomographic film & print standards.
In one instance the company that makes the machines were unaware that the machine could process medium format. This led to a 30-minute apocalypse resolved by Lomolab Austria showing me how to trick the machine into thinking medium format was 126 film.
It still pains me every time I have to turn a customer away because I’m not ready to print but this’ll all change soon when we can accept orders and I’m looking forward to seeing all the amazing pictures people take, all on film.
The LomoLab will launch on the 11th March, 2011 at..
Lomography Gallery Store East London
117 Commercial Street
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
Singapore, like Kuala Lumpur and Hong Kong, is a likely stopover when you fly far. The city is a tiny urbanized hub but it's very favorable if you know some high-spirited locals. I was lucky to hook up with king kimbo (@hakimbo), who showed me around. He took my lame limbs to the Gardens by the Bay, an amazing place which was visually striking. I was hugging some artificial trees there when I found a baby—a very big baby.
Julie Cockburn is a visual artist that goes beyond the traditional definition of "image" and turns old photographs into three-dimensional objects, adding a brand new chapter to their story.
In this exclusive interview, Cockburn talks about her artistry and overall vision.
A recent lunchtime break turned into a big analogue adventure when I took the Lomo'Instant camera out with the Splitzer and captured a gloriously sunny day in the heart of Soho, London. I learned a couple of great tips about shooting with this new accessory. Read on to find out more.
The new movie Jurassic World is taking the world by storm. As the film progresses, it tells the story of a fictional dinosaur park called Jurassic World and the adventure that unfolds when man attempts to tame the wild creatures. And coincidentally, the Lomography Diana Mini camera makes a special appearance.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
Matthieu Soudet is a child of photography. He started shooting in his native Normandy when he was only nine years old. Since then, he has dedicated his life to capturing magical moments and puts his boundless creativity to good use through beautiful pictures and portraits. He tested the New Petzval Art Lens tells us about his experience in this exclusive interview.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.