When i was appointed to be the manager of the brand new London LomoLab i knew i was a very lucky man. Here is the story of how it got made...
From the second I saw the lab coming soon sign I knew I had to step up, play my part in the analogue future.
There was a certain thrill to covertly cross processing at my old lab and as the analogue expert the other lab operators used to leave the lomography films for me to print.
The last 3 weeks have been hectic to say the least with my experience of photo labs limited to keeping one going rather than starting one up. This lab is much more important than any I’ve worked in before. Offering unique services tailored to the unique cameras that we sell brings its own challenges
In a lot of cases, modifying and hacking the lab machinery to deliver consistent results on exclusive lomographic film & print standards.
In one instance the company that makes the machines were unaware that the machine could process medium format. This led to a 30-minute apocalypse resolved by Lomolab Austria showing me how to trick the machine into thinking medium format was 126 film.
It still pains me every time I have to turn a customer away because I’m not ready to print but this’ll all change soon when we can accept orders and I’m looking forward to seeing all the amazing pictures people take, all on film.
The LomoLab will launch on the 11th March, 2011 at..
Lomography Gallery Store East London
117 Commercial Street
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
A recent lunchtime break turned into a big analogue adventure when I took the Lomo'Instant camera out with the Splitzer and captured a gloriously sunny day in the heart of Soho, London. I learned a couple of great tips about shooting with this new accessory. Read on to find out more.
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.
A couple of weeks ago, I was lucky enough to participate in a three-day cyanotype workshop organized by the UP Iris, the university-wide student organization of the University of the Philippines. Here's a step-by-step guide to making your very own cyanotype print!
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Every summer, my soul screams for a lazy, hot day back at my parents' home, for some good food, relaxation, and catching up with childhood friends. This year is no different, so I went back down to my small hometown in the very northeast of Belgium to enjoy a perfect laid back day doing nothing and everything. And of course, I brought my analogue cameras along to eternalize all of these small but grand moments in life.
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It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.