Fuji Tungsten 64 is one of my favorite films to cross process! Love in a Genie bottle!
I took my Diana F+ out to the King’s Island amusement park here in Cincinnati, Ohio last summer. It was a bright and sunny day so I decided to use a roll of Tungsten 64. These are the conditions that you need when shooting this type of film outdoors. I was expecting some blueish tones but not the spectacular pink and purple goodness that the camera gods blessed me with. Reminded me of Barbara Eden’s bottle and outfit from the “I dream of Jeannie” series!!! My favorite photo is of the car, and it’s the one that I use on my profile.
So what are you waiting for? Visit the Lomography Shop today, pick up some of this wondrous film for your little darling, and make a wish!!!
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
This article is dedicated to the British photojournalist and sport photographer Dennis Oulds, and to one of my favorite home games, Subbuteo Table Football. Here are some photos I took during a local tournament in Como. Take a look!
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Stephen Dowling is no stranger to the LC-A 120 camera; he has brought it on trips to Brighton, Malta and most recently, on a holiday in Istanbul. In this feature, Stephen talks about his experience shooting with this medium format camera around the markets and mosques of one of Turkey's most colourful and vibrant cities.
In 2013, musician Obi Blanche became a passionate Lomographer and photography enthusiast. Since then, he's always been eager to test the latest additions to the roster of Lomography cameras, and one particular camera that caught his attention is the LC-A 120.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.