There isn't much analogue photographs about space travel these days but looking at the sky with the naked eye is an activity as old as time. Here are some shots I managed to capture with long exposures and late nights of the galaxies - the most difficult to reach lomocation (for now).
Apollo 13 had about the same computing power as my light meter and they carried NASA issued Nikon’s but these are what I managed to pick up with my Canon A-1 with Fuji 200. Long exposures and a wide angle lens seem to yield the best success. There is a steep learning curve with astronomy photography so many more experiments and constellations to come.
In the first one you can see a satellite, its the white line that runs perpendicular to the stars near the center/right of the sky.
The skies were busy with magic today — or maybe it was just the solar eclipse that caused all that ruckus? Decked out in space-age goggles and other various sun viewing paraphernalia, groups of people gathered as the moon moved between the sun and the earth this morning across Europe. Only a few lucky folks witnessed the total eclipse, and here at Vienna HQ, the greatest moment of the partial eclipse happened at 10:45 A.M. and lasted only a few minutes. We stopped everything we were doing to join the sky watchers crew and share in this astonishing moment. Check out these brilliant solar-inspired shots to celebrate the occasion!
My list of resolutions for 2015 consists of 12 projects, one for every month. In February, I wanted to take one of those long exposure night shots of traffic. You know the type: nighttime cityscape, with bright red and white stripes where traffic passes. I love those shots, but I had never gotten around taking one.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Séverin Boonne considers photography as his most intimate way of expression. Aside from revealing things about himself, creating images with his trusty cameras helps calm his nerves and keeps him relaxed. In this interview, our newcomer of the week from France talks more about his humble beginnings, passion for shooting film, and more.
Have a look at these bright and beautiful medium format photographs from the community shot with the Lomography Color Negative 400 for 120 cameras. While you're at it, find out how you can earn piggies and have your own CN 400 (120) snaps be featured on the Online Shop!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Louis-Jacques-Mandé Daguerre's invention made possible photography that is literally and figuratively one of a kind. For every shot fired, the photographer can only do one print. And though the marred by stains, a daguerreotype has the long-lived charm of a museum relic.