The Oldest African American Cemetery west of the Mississippi River, Quinette Cemetery.
Kirkwood Missouri has the distinction of and regarded as having the oldest African American Cemetery west of the Mississippi River. Quinette Cemetery is a historic landmark located in Kirkwood Missouri, a suburb of the city of St. Louis.
It is one of only five slave burial grounds in Missouri and the resting place of many African American Civil War soldiers. It is believed there are 125-150 slaves and soldiers buried here, and most in unmarked graves. On a recent walk through this wooded oasis in Kirkwood, I saw blue birds and a lone hawk flew over calling out. I stopped to read the plaques at the gate and there is a nice memorial inside with a bench to sit and be thoughtful of the five known veterans who are buried here.
Ouagadougou is the capital of Burkina Faso. 1.6 million people live there when 20 years ago there were only 700,000; that is to say, the incredibly quick growth and the stunning density in this city shows today.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Traveling in Burkina Faso is quite an adventure and a fantastic photographic experience. I went to this fascinating African country at the Sahel border twice and used many different ways of transportation.
The Science Museum in London is set to play host to a showcase of some of the earliest known images taken by photography pioneers, selected from the collection of the world's oldest surviving photographic society.
This article is written as a tribute to a great American photojournalist in occasion of the 50th anniversary of his reportage on LIFE Magazine about the skateboarding fever that had infected so many American boys in the '60s. A joyful fever, in the streets as in the public parks.
Stephen Shore introduced to the 70s art world an unadorned image of American life. He captured littered restaurant tables as other photographers would immaculate vistas. For the opening of “American Surfaces”, he even taped unframed snapshots on gallery walls. In these videos, Shore talks about objects that have “no pretention to art” and the things he learned from Andy Warhol.