I visited Blackpool after an absence of thirteen years but this time went armed with a Vivi and a roll of E-6. Not only that but this was to be my first experience with lo-fi photography after spending the last few years in a digital only world. It was certainly an eye opener!
Blackpool is a British seaside town I visited in my childhood and teens for the sea, rides, and attractions. You could say it’s a typical British seaside town and one that is very popular amongst the inhabitants of our little Isle.
Recently and after a thirteen year absence I decided to go back, taking my girlfriend who had never been before. I also saw it as a brilliant opportunity to lose my Lomo virginity and break out the Vivi and some E-6.
As it turned out Blackpool, for better or worse, has not really changed in the last thirteen years. There’s still the same mix of seafront arcades, rock stall and gift shops with old trams running up and down the promenade past the piers and famous Tower.
Not only did this provide ample photo opportunities (and I was very lucky with the weather) but as it turns out a bit of cross-processing really added that vintage seaside look to the resulting photos.
Given that this was my first experience with the Vivi and cross-processing I was very impressed with the photos but credit has to go to the location as Blackpool really seems to compliment the look and feel of our analogue medium.
So there you go. If you’re in the UK and want to try for some vintage seaside effects then check out Blackpool on the northwest English coast. Just make sure you have some E-6 with you and the British weather on your side.
Limited edition. Only 4,000 rolls available. What a way to tantalize the Lomographic community! But could a film billed as bringing back the "romantic experience of cinematic art" really live up to such a claim? Armed with just one roll of Lomography Cine200 Tungsten film, this skeptic had put it to the test.
My brother had a photo exhibition last year at the North Sea Jazz Festival and got two tickets. So just like the old days with our father, we went to the Ahoy Rotterdam for an evening of jazz and other music. I was armed with an analogue SLR camera, telephoto lens, and sensitive film!
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
I prefer being outdoors whenever I go on a vacation at the seaside. For this reason, I always choose to stay at a campsite instead of a hotel. This year, I stayed at a beautiful one in the south of Italy. Here is a series of photos which I received a few days ago from the excellent LomoLab service, taken with my Sprocket Rocket. Have a look after the jump!
This month, after waiting for three years, my city Como hosted the Tour of Lombardy, an important event in the male elite road cycling tour. With my Fed 3 loaded with black and white film and equipped with ultra sharp Industar 50/3.5 lens, I documented the parade of cyclists who went to the starting line after they registered. Take a look after the jump!
Sometime between 6,000 and 10,000 years ago, a boy in northern Afghanistan was born with a gene mutation that hindered his eyes from producing melanin and thus from turning brown. He had blue eyes. If you see someone with blue eyes today, he is a descendant of this unlucky fellow. I am one of those weird folks and apart from feeling like a mutant and being Angelina Jolie’s secret sister, I am sensitive to light like an ISO 6,400 film.
This is a tribute to a founding father of photography, the American photographer Paul Strand. In 1955, he released a book about Luzzara, a small town in central Italy, in collaboration with the famous neo-realist screenwriter Cesare Zavattini. To pay homage to this great artist, this summer I personally went to Luzzara to take a series of photos that shows the changes in this little town 60 years after the work of Strand was published.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
For three months last year, I traveled to 11 cities of eight Southeast Asian countries. My first destination from my hometown of Seoul was Vietnam. After 10 days in Hanoi, I joined a group tour to Sapa, an area known for its hill tribes. This is a photo story of my two days and one night in this remote but vibrant place.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.