As I look forward to the rest of 2011, I have thought of an excellent resolution that I would really like to put into practice. I think that if I manage to carry out the resolution, it will massively improve my lomographs and the quality of my shooting through both better context and more practice.
Today it was Sunday, and I have been massively busy at work all week. I woke up all geared up to go out in the bright sunshine like we have had in Leeds for the past couple of days and shoot a few rolls of film. Imagine my disappointment when I looked out of my curtains to see bug grey clouds and no sun whatsoever. Not that I was surprised but in the UK, this is a common problem for me and my photography. Some of my favourite cameras and films need a bit if good ole sunshine to get the best out of them.
Today, I decided to venture out with my trusty camera bag anyway and take a few photos at my local park. I don’t know how they will have come out yet but now I feel like even though I haven’t done much else, my weekend hasn’t been wasted as I went out and did that little bit of lomography. I realized then that last year some of my best pictures were taken on holidays, seeing places I have never seen before through a plastic lens.
This year, although I am fortunate enough to be going on 2 lovely holidays in 2011- Krakow and New York, I can’t afford to go somewhere exotic every weekend. I am lucky enough however to own a car, have a job good enough to buy petrol and own a fair few cameras. I am therefore going to make sure that I go somewhere to take some photos each and every weekend. It doesn’t have to be far or expensive, it just has to be somewhere. I only live an hour away from the seaside and the lovely lake district so I will probably start there. And even if the weather isn’t great, I will do what I did today, wrap up warm and make the most of it with a flash.
My list of resolutions for 2015 consists of 12 projects, one for every month. In January, I tried some camera add-ons. If you want to add a bit of extra bling to your pictures, you can put something either in front of or behind your lens. In this case, I did both.
Some lomographers prefer to hoard as many analog cameras their shelves and budgets can support. Some would rather keep a manageable number that they can regularly shoot with. Community member Joshua Kennedy belongs to the latter group. From 40 cameras, he downsized his collection to 13, as he puts it, "really good ones" that suit his shooting habits and style. In this interview, he breaks down his small yet dependable arsenal of vintage and handmade cameras and how an organized schedule allows him to shoot with each one on a regular basis.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
Before moving to New York City, I was told that people keep to themselves. Thus, I set forth to put myself out there and create connections with the people in my community, using the Lomo'Instant as an icebreaker! I was proven wrong—if you show an ounce of kindness to anyone, they will overflow in return.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
They say there’s a first time for everything and with the Lomo’Instant Wide, that couldn’t be more accurate. Combining high quality craftsmanship with versatile features, the Lomo’Instant Wide is the instant camera for any and every person who revels in capturing every beautiful, bizarre and bewildering moment in a creative, super wide, crisply sharp and perfectly exposed way.
It goes without saying that street photography is one of the most exciting and fulfilling practices a photographer can do. But for some, especially the beginners, the prospect of hitting the streets can be a little daunting. Here, we dish out a few tips to help shake off anxiety.
The beauty of instant cameras is that they let your spontaneous side truly run wild, and the Lomo'Instant Wide gives you just the opportunity to experiment with all sorts of shooting methods on the fly!