Lighting is one of the trickiest aspects of macro photography. Using the Lomography Ringflash the way it was intended can improve your macro shots.
At the smallest scales shadows become a problem because a blade of grass might as well be a building. If you try to use a camera’s built-in flash it will be more offset and more useless the closer you get to your subject. If you do manage to light your subject, the flash will often be too strong at macro distances. Macro lenses for high-end cameras can be very expensive, but if you’re lucky you just might be able to use the Ringflash with your macro setup. Many of you know the Ringflash as the ultimate accessory for the Lomography Fisheye cameras, but it was originally designed as a flash for macro photography. Luckily it just happens to fit my macro kit. I have a Canon EOS Rebel Ti and a Quantaray zoom lens with a macro setting. The Ringflash fits perfectly over the rubberized grip on the lens. The Ringflash has a “slave” mode where it will flash in response to another flash going off, so I just set the camera to “forced flash” and fire.
Here are some examples demonstrating the nice, even lighting you can get with a macro flash:
Illuminate your subjects with an even burst of light with the Lomography Ringflash. While you're at it, find out how you can earn piggies and have your very own Ringflash photos be featured on the Online Shop!
It is Film Photography Day, and we are counting the ways the activity fuels the imagination. One photographer likens it to the soulful sound of an LP. Another chases its risk or does it with a leap of faith. But the consensus is clear: Film photography keeps people on their toes for the best possible shot.
Having the distinction of being the world's first 6x12 auto-exposure medium format camera, the Belair X 6-12 combines professional grade photography with ease of use. In this week's installment, we list down a few ways you can improve your photography with it.
Looking for a reliable flash? Consider the Lomography Ringflash, which throws an even burst of light around your subject! We scoured the Magazine and found these community-written reviews for you to peruse.
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for the motion picture industry and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Mimoun.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!
It was a cold and cloudy winter day in 2012 when I came up with the idea of compiling photographs of people's faces. I decided that the most personal way to do it is through instant shots. They are one of a kind and you immediately have something in your hands.
Humans always seek ways to improve an innovation. In the early days of photography, the project was to introduce color to Mr. Daguerre’s fascinating prints. Transferring reality onto wood or paper was one thing; it was another to produce a vibrant equivalent. Hand painting was an answer to this public demand for color before color photography was even invented.
It's hip to be square, but with the Diana+ Splitzer you can make your shots way cooler. Like, have you ever imagined taking a picture of your friend's head in the clouds? Or putting two unlikely subjects in one photo, such as a puppy's face with your uncle's feet?