Lighting is one of the trickiest aspects of macro photography. Using the Lomography Ringflash the way it was intended can improve your macro shots.
At the smallest scales shadows become a problem because a blade of grass might as well be a building. If you try to use a camera’s built-in flash it will be more offset and more useless the closer you get to your subject. If you do manage to light your subject, the flash will often be too strong at macro distances. Macro lenses for high-end cameras can be very expensive, but if you’re lucky you just might be able to use the Ringflash with your macro setup. Many of you know the Ringflash as the ultimate accessory for the Lomography Fisheye cameras, but it was originally designed as a flash for macro photography. Luckily it just happens to fit my macro kit. I have a Canon EOS Rebel Ti and a Quantaray zoom lens with a macro setting. The Ringflash fits perfectly over the rubberized grip on the lens. The Ringflash has a “slave” mode where it will flash in response to another flash going off, so I just set the camera to “forced flash” and fire.
Here are some examples demonstrating the nice, even lighting you can get with a macro flash:
Illuminate your subjects with an even burst of light with the Lomography Ringflash. While you're at it, find out how you can earn piggies and have your very own Ringflash photos be featured on the Online Shop!
It is Film Photography Day, and we are counting the ways the activity fuels the imagination. One photographer likens it to the soulful sound of an LP. Another chases its risk or does it with a leap of faith. But the consensus is clear: Film photography keeps people on their toes for the best possible shot!
Having the distinction of being the world's first 6x12 auto-exposure medium format camera, the Belair X 6-12 combines professional grade photography with ease of use. In this week's installment, we list down a few ways you can improve your photography with it.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for the motion picture industry and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Mimoun.
It was a cold and cloudy winter day in 2012 when I came up with the idea of compiling photographs of people's faces. I decided that the most personal way to do it is through instant shots. They are one of a kind and you immediately have something in your hands.
Humans always seek ways to improve an innovation. In the early days of photography, the project was to introduce color to Mr. Daguerre’s fascinating prints. Transferring reality onto wood or paper was one thing; it was another to produce a vibrant equivalent. Hand painting was an answer to this public demand for color before color photography was even invented.
It's hip to be square, but with the Diana+ Splitzer you can make your shots way cooler. Like, have you ever imagined taking a picture of your friend's head in the clouds? Or putting two unlikely subjects in one photo, such as a puppy's face with your uncle's feet?
Think you can’t paint? Well, we think you can….with light! Enhance your photographs with stunning light effects in just a few easy clicks of the Lomography Light Painter. Brand new to the Lomography repertoire, this wonderful gadget is equipped with eight different light variations that allow for ultimate light painting experimentation.
They say you can't teach an old dog new tricks, but whoever said that must have never shot with a Konica C35. This 46-year-old beauty can definitely hang with the big boys. Come see why this camera is one of my favorites, and why it should be one of yours, too.