I had hoped for something like this when I put the film inside my camera. But when the results came in, boy was I glad how they turned out!
I specifically bought the Lomography Redscale XR 50-200 film because I had some knowledge of how redscale works. When you expose the film for a short amount of time, you will most likely get dark reds. But when exposing a 400 iso film, which is what this redscale really is, at 50 ISO, I knew I would get almost real life colors with just a hint of red.
This film, according to the film canister, is a 400 ISO film. What makes the result so special is that they vary according to the amount of exposure time you give them. That’s why it says from 50-200. My purpose was to get a vintage-like feel from the pictures. So I knew that setting the iso to 50 would be my best bet. And with that said, I think that photos can talk for themselves.
I can’t talk for the other ISO settings, as for I haven’t tried them, but I’m so pleased with the results at 50 ISO, that I’m pretty sure it’ll take a long while until I get around to trying out the other settings. But just know that this is a very versatile film for whatever kinds of redscale colors you’re looking for!
Sometimes when taking pictures I get addressed by strangers either because of my cameras or because they don't want me to shoot something they claim they have responsibility for. But having the police on my back was a new experience.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Sometime between 6,000 and 10,000 years ago, a boy in northern Afghanistan was born with a gene mutation that hindered his eyes from producing melanin and thus from turning brown. He had blue eyes. If you see someone with blue eyes today, he is a descendant of this unlucky fellow. I am one of those weird folks and apart from feeling like a mutant and being Angelina Jolie’s secret sister, I am sensitive to light like an ISO 6,400 film.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
In my early adolescence, I liked to play table football. For my 12th birthday, my parents gifted me with a wonderful Subbuteo table soccer game set that I had wished for many months! This was my favorite toy until I discovered other interesting hobbies, like ham radio and electronics. So after some years, I gave away this game to other kids. I always remembered this game with pleasure and a hint of nostalgia.
A true Lomographic gem, the Lomo LC-A+ RL is blessed with good looks and bursting with experimental potential. Get ready to shoot amazing Lomographic photos by experimenting with MX shots, long exposures and a whole range of accessories!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
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It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
I like to make and use masks with my Lomo'Instant camera, but sometimes they are too dominant. In coming up with more subtle masks, I found several that produced an interesting, distressed look, especially when paired with the camera flash and color gel strips. They're especially good for creating Halloween-themed photos.