The Agfa Clack camera was produced from 1954 until 1965. It uses 120 mm film and is part of the Agfa box series – several kinds of cameras designed like a box which were inexpensive and easy to use for everybody. After I had unpacked my Agfa Clack camera I almost had to laugh because of its unusual and somehow funny look – it is the big black teddy bear among all my other analogue cameras. I found it on an online auction for 8€.
Because of the fact that I use to have a big hoard of 120 film and the sun was shining I was able to try it immediately after it arrived at my home. But I had to solve a problem first. I did not know how to open this strange camera. There is a lock on the bottom of the camera and you need a key to open it. But the seller did not add that key to the camera. So I took a small screw driver and it worked somehow. I removed the case and now I was able to recoil the film. For my first try I took 200 ISO film because I did not know any better. But the Agfa Clack cameras are built for 50 ISO films because the shutter speed is about 1/35s. I found out about this fact later when I read something about this camera.
On the back of the camera is a little window which can be opened. There you can see how far you have to turn the filmtransportation wheel to the next shot.
The release-reset does not work automatically. You have to do it yourself. That was also a little bit unusual to me. Also the format is extraordinary: First I wondered that it was only possible to take eight shots with one 120 film. I found out that the format is 6×9cm. This is really special and looks great. But it is also a disadvantage regarding the little number of pictures you get out of one film.
A big surprise for me was that such a “cheap” camera has connections for cable release and tripod.
The Agfa Clack also has a B setting (which I did not try yet), and you are able to do multiple exposures.
Maybe you are wondering about the name of the camera – Agfa CLACK: Push the button and you will not wonder anymore.
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
Ever since I unpacked my Lomo'Instant camera, a day hasn't gone by without me playing around with it. It takes beautiful photos. What's more, I can great abstract images with it and use my imagination to achieve various effects like light painting strokes.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
With a Lomo'Instant Camera and a Splitzer, you can get absolutely funny and creative images. I took it to the highest level and exposed my shots from 4 to 8 times! What you'll see next is an impressive mix of colors, textures, places and people captured in a very surreal way!
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Using my Canon EOS 20D, I already discovered the amazing bokeh effect of the Petzval Lens. So I was really excited to try it with my favorite digital hybrid camera, Olympus OM-D E-M5. Just attach an adaptor and off you go!
My friends and I teamed up with Photo Art Pro to spread analog love to the Zaporozhye community. Last month, we hosted a Yeti Scavenger Hunt and had a LomoKino camera as prize. We challenged participants to shoot a roll of film based on a checklist. It was tremendous fun!
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.